Renaissance in Italy, Volume 1 (of 7) eBook

This eBook from the Gutenberg Project consists of approximately 624 pages of information about Renaissance in Italy, Volume 1 (of 7).

Renaissance in Italy, Volume 1 (of 7) eBook

This eBook from the Gutenberg Project consists of approximately 624 pages of information about Renaissance in Italy, Volume 1 (of 7).
to attack men in their Onore as in their property.  But when we come to analyze the word, we find that it means something different from that mixture of conscience, pride, and self-respect which makes a man true to a high ideal in all the possible circumstances of life.  The Italian Onore consisted partly of the credit attaching to public distinction, and partly of a reputation for Virtu, understanding that word in its Machiavellian usage, as force, courage, ability, virility.  It was not incompatible with craft and dissimulation, or with the indulgence of sensual vices.  Statesmen like Guicciardini, who, by the way, has written a fine paragraph upon the very word in question,[1] did not think it unworthy of their honor to traffic in affairs of state for private profit.  Machiavelli not only recommended breaches of political faith, but sacrificed his principles to his pecuniary interests with the Medici.  It would be curious to inquire how far the obtuse sensibility of the Italians on this point was due to their freedom from vanity.[2] No nation is perhaps less influenced by mere opinion, less inclined to value men by their adventitious advantages:  the Italian has the courage and the independence of his personality.  It is, however, more important to take notice that Chivalry never took a firm root in Italy; and honor, as distinguished from vanity, amour propre, and credit, draws its life from that ideal of the knightly character which Chivalry established.  The true knight was equally sensitive upon the point of honor, in all that concerned the maintenance of an unsullied self, whether he found himself in a king’s court or a robber’s den.  Chivalry, as epitomized in the celebrated oath imposed by Arthur on his peers of the Round Table, was a northern, a Teutonic, institution.  The sense of honor which formed its very essence was further developed by the social atmosphere of a monarch’s court.  It became the virtue of the nobly born and chivalrously nurtured, as appears very remarkably in this passage from Rabelais[3]:  ’En leur reigle n’estoit que ceste clause:  Fay ce que vouldras.  Parce que gens liberes, bien nayz, bien instruictz, conversans en compaignies honnesties, ont par nature ung instinct et aguillon qui toujours les poulse a faitctz vertueux, et retire de vice:  lequel ils nommoyent honneur.’  Now in Italy not only was Chivalry as an institution weak; but the feudal courts in which it produced its fairest flower, the knightly sense of honor, did not exist.[4] Instead of a circle of peers gathered from all quarters of the kingdom round the font of honor in the person of the sovereign, commercial republics, forceful tyrannies, and the Papal Curia gave the tone to society.  In every part of the peninsula rich bankers who bought and sold cities, adventurers who grasped at principalities by violence or intrigue, and priests who sought the aggrandizement of a sacerdotal corporation, were brought together in the meshes of diplomacy.  The few
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Renaissance in Italy, Volume 1 (of 7) from Project Gutenberg. Public domain.