mixture of religious feeling with patriotic paganism.  Luca della Robbia, the nephew of the great sculptor of that name, and himself no mean artist, visited his friend Boscoli on the night of his execution, and wrote a minute account of their interview.  Both of these men were members of the Confraternita de’ Neri, who assumed the duty of comforting condemned prisoners with spiritual counsel, prayer, and exhortation.  The narrative, dictated in the choicest vernacular Tuscan, by an artist whose charity and beauty of soul transpire in every line in contrast with the fiercer fortitude of Boscoli, is one of the most valuable original documents for this period which we possess.[4] What is most striking is the combination of deeply rooted and almost infantine piety with antique heroism in the young patriot.  He is greatly concerned because, ignorant of his approaching end, he had eaten a hearty supper:  ’Son troppo carico di cibo, et ho mangiatccose insalate; in modo che non mi pare poter unir Io spirito a Dio ...  Iddio abbi di me misericordia, che costoro m’ hanno carico di cibo.  Oh indiscrezione!’[5] Then he expresses a vehement desire for the services of a learned confessor, to resolve his intellectual doubts, pleading with all the earnestness of desperate conviction that the salvation of his soul must depend upon his orthodoxy at the last.  He complains that he ought to have been allowed at least a month’s seclusion with good friars before he was brought face to face with death.  At another time he is chiefly anxious to free himself from classic memories:  ‘Deh!  Luca, cavatemi della testa quel Bruto, accio ch’ io faccia questo passo interamente da Cristiano’.[6] Then again it grieves him that the tears of compunction, which he has been taught to regard as the true sign of a soul at one with God, will not flow.  About the mere fact of dying he has no anxiety.  The philosophers have strengthened him upon that point.  He is only eager to die piously.  When he tries to pray, he can barely remember the Paternoster and the Ave Maria.  That reminds him how easy it would have been to have spent his time better, and he bids Luca remember that the mind a man makes for himself in life, will be with him in death.  When they bring him a picture of Christ, he asks whether he needs that to fix his soul upon his Saviour.  Throughout this long contention of so many varying thoughts, he never questions the morality of the act for which he is condemned to die.  Luca, however, has his doubts, and privately asks the confessor whether S. Thomas Aquinas had not discountenanced tyrannicide.  ‘Yes,’ answers the monk, ’in case the people have elected their own tyrant, but not when he has imposed himself on them by force.’  This casuistical answer satisfies Luca that his friend may reasonably be held blameless.  After confessing, Boscoli received the sacrament with great piety, and died bravely.  The confessor told Luca, weeping, that he was sure the young man’s soul had gone straight to Paradise, and that he might be reckoned a real martyr.  His head after death was like that of an angel; and Luca was, we know, a connoisseur in angels’ heads.  Boscoli was only thirty-two years of age; he had light hair, and was short-sighted.