Renaissance in Italy, Volume 1 (of 7) eBook

This eBook from the Gutenberg Project consists of approximately 624 pages of information about Renaissance in Italy, Volume 1 (of 7).

Renaissance in Italy, Volume 1 (of 7) eBook

This eBook from the Gutenberg Project consists of approximately 624 pages of information about Renaissance in Italy, Volume 1 (of 7).
12,000 fiorini d’ oro e—­un bello spendere."’
[10] Pitti seems to have taken this view:  see ‘Apologia de’ Cappucci’ (Arch.  Stor. vol. iv. part ii. p. 329):  ’Tosto che ’l duca Cosimo lo pose a sedere insieme con certi altri suoi colleghi, si adiro malamente; e se la disputa della provvisione non l’ avesse ritenuto, sarebbe ito a servire papa Pagolo terzo.  Onde, restato confuso e disperato, si tratteneva alla sua villa di Santa Margarita a Montici; dove transportato dalla stizza ritocco in molte parti la sua Istoria, per mostrare di non essere stato della setta Pallesca; e dove potette, accatto l’ occasione di parere istrumento della Repubblica.’  Guicciardini’s own apology for his treatment of the Medici, in the proemio to the treatise Del Reggimento di Firenze, deserves also to be read.

Turning now from the statesman to the man of letters, we find in Guicciardini one of the most consummate historians of any nation or of any age.  The work by which he is best known, the Istoria d’ Italia, is one that can scarcely be surpassed for masterly control of a very intricate period, for subordination of the parts to the whole, for calmness of judgment and for philosophic depth of thought.  Considering that Guicciardini in this great work was writing the annals of his own times, and that he had to disentangle the raveled skein of Italian politics in the sixteenth century, these qualities are most remarkable.  The whole movement of the history recalls the pomp and dignity of Livy, while a series of portraits sketched from life with the unerring hand of an anatomist and artist add something of the vivid force of Tacitus.  Yet Guicciardini in this work deserves less commendation as a writer than as a thinker.  There is a manifest straining to secure style, by manipulation and rehandling, which contrasts unfavorably with the unaffected ease, the pregnant spontaneity, of his unpublished writings.  His periods are almost interminable, and his rhetoric is prolix and monotonous.  We can trace the effort to emulate the authors of antiquity without the ease which is acquired by practice or the taste that comes with nature.

The transcendent merit of the history is this—­that it presents us with a scientific picture of politics and of society during the first half of the sixteenth century.  The picture is set forth with a clairvoyance and a candor that are almost terrible.  The author never feels enthusiasm for a moment:  no character, however great for good or evil, rouses him from the attitude of tranquil disillusioned criticism.  He utters but few exclamations of horror or of applause.  Faith, religion, conscience, self-subordination to the public good, have no place in his list of human motives; interest, ambition, calculation, envy, are the forces which, according to his experience, move the world.  That the strong should trample on the weak, that the wily should circumvent the innocent, that hypocrisy and fraud and dissimulation should triumph,

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Renaissance in Italy, Volume 1 (of 7) from Project Gutenberg. Public domain.