A History of English Prose Fiction eBook

This eBook from the Gutenberg Project consists of approximately 359 pages of information about A History of English Prose Fiction.

A History of English Prose Fiction eBook

This eBook from the Gutenberg Project consists of approximately 359 pages of information about A History of English Prose Fiction.
hast loste moche of thy blood, and I am ful lothe to slee the, therfor yelde the to me as recreaunt.  Nay, saide syre Arthur I maye not so, for I haue promysed to doo the bataille to the vttermost by the feythe of my body whyle me lasteth the lyf, and therfor I had leuer to dye with honour than to lyve with shame.  And yf it were possyble for me to dye an C tymes, I had leuer to dye so ofte, than yelde me to the, for though I lacke wepen, I shalle lacke no worship.  And yf thou slee me wepenles that shalle be thy shame.  Wel, sayd Accolon, as for the shame I wyl not spare.  Now kepe the from me, for thow arte but a dede ma.  And therwith Accolon gaf hym suche a stroke that he felle nyghe to the erthe, and wolde haue had Arthur to haue cryed hym mercy.  But syre Arthur pressed unto Accolon with his sheld and gaf hym with the pomel in his hand suche a buffet that he wente thre strydes abak. * * * And at the next stroke Syr Accolon stroke hym suche a stroke that by the damoysels enchauntement the swerd Excalibur felle oute of Accolons hande to the erthe.  And therwith alle syre Arthur lyghtely lepte to hit, and gate hit in his hand, and forwith al he knewe that it was his suerd Excalibur, & sayd thow hast ben from me al to long, & moche dommage hast thow done me. * * * And therwith syr Arthur russhed on hym with hys myghte, and pulled hym to the erthe, and thenne russhed of his helme, and gaf hym suche a buffet on the hede that the blood cam oute at his eres, his nose & his mouthe.  Now wyll I slee the said Arthur.  Slee me ye may wel, said Accolon, and it please yow, for ye ar the best knyghte that euer I fonde, and I see wel that god is with yow.

The knights of the Round Table had much more difficulty in dealing with one another than in overcoming the most redoubtable giants.  Sir Launcelot arrived at a giant’s castle,[20] and “he looked aboute, and sawe moche peple in dores and wyndowes that sayd fayre knyghte thow art unhappy.  Anone with al cam there vpon hym two grete gyaunts wel armed al sauf the hedes, with two horryble clubbes in theyr handes.  Syre Launcelot put his sheld afore hym and put the stroke aweye of the one gyaunt, and with his swerd he clafe his hede a sondre.  Whan his felaw sawe that, he ran awey as he were wood, for fere of the horryble strokes, & laucelot after hym with al his myzt & smote hym on the sholder, and clafe hym to the nauel.  Thenne Syre Launcelot went in to the halle, and there came afore hym thre score ladyes and damoysels, and all kneled unto hym, and thanked God and hym of their delyveraunce.”  The horrors of battle as recounted by the romancers lose much of their painfulness by the enjoyment which the combatants take in them, and by the facility with which the most terrible wounds are healed.  The mediaeval passion for conflict and violence could hardly be more strikingly illustrated than by the words of the mother of Tristram, who had just given birth to her son in the midst of a forest, and being far from human aid, sees that her end is near.  “Now lete me see my lytel child for whome I haue had alle this sorowe.  And whan she sawe hym she said thus, A my lytel sone, thou hast murthered thy moder, and therfore I suppose, thou that art a murtherer soo yong, thou arte ful lykely to be a manly man in thyn age."[21]

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A History of English Prose Fiction from Project Gutenberg. Public domain.