the best poet, in the Latin tongue. You find Horace
complaining, that, for taxing some verses in Lucilius,
he himself was blamed by others, though his design
was no other than mine now, to improve the knowledge
of poetry; and it was no defence to him, amongst his
enemies, any more than it is for me, that he praised
Lucilius where he deserved it;
pagina laudatur
eadem. It is for this reason I will be no
more mistaken for my good meaning: I know I honour
Ben Jonson more than my little critics, because, without
vanity I may own, I understand him better[6].
As for the errors they pretend to find in me, I could
easily show them, that the greatest part of them are
beauties; and for the rest, I could recriminate upon
the best poets of our nation, if I could resolve to
accuse another of little faults, whom, at the same
time, I admire for greater excellencies. But I
have neither concernment enough upon me to write any
thing in my own defence, neither will I gratify the
ambition of two wretched scribblers, who desire nothing
more than to be answered. I have not wanted friends,
even among strangers, who have defended me more strongly,
than my contemptible pedant could attack me[7].
For the other, he is only like Fungoso in the play,
who follows the fashion at a distance, and adores
the Fastidious Brisk of Oxford[8]. You can bear
me witness, that I have not consideration enough for
either of them to be angry. Let Maevius and Bavius
admire each other; I wish to be hated by them and
their fellows, by the same reason for which I desire
to be loved by you. And I leave it to the world,
whether their judgment of my poetry ought to be preferred
to yours; though they are as much prejudiced by their
malice, as I desire you should be led by your kindness,
to be partial to,
SIR,
Your most humble,
And most faithful
servant,
JOHN
DRYDEN.
Footnotes:
1. Sir Charles Sedley, noted among “the
mob of gentlemen who wrote
with ease,” was so highly
applauded for his taste and judgment,
that Charles said, “Nature
had given him a patent to be Apollo’s
viceroy.” Some account
has been given of this celebrated courtier,
in the introduction to the Essay
on Dramatic Poetry. Dryden was at
this time particularly induced to
appeal to the taste of the first
among the gay world, by the repeated
censures which had been
launched against him from the groves
of Academe. Mr Malone gives
the titles of three pamphlets which
had appeared against Dryden.
1. The Censure of the Rota,
on Mr Dryden’s Conquest of Granada,
printed at Oxford. 2. A Description
of the Academy of the Athenian
Virtuoso, with a discourse held
there in vindication of Mr Dryden’s
Conquest of Granada, against the
Author of the Censure of the Rota.
3. A Friendly Vindication of
Mr Dryden, from the Author of the