Folk-Lore and Legends; Scandinavian eBook

This eBook from the Gutenberg Project consists of approximately 183 pages of information about Folk-Lore and Legends; Scandinavian.

Folk-Lore and Legends; Scandinavian eBook

This eBook from the Gutenberg Project consists of approximately 183 pages of information about Folk-Lore and Legends; Scandinavian.
devils, dwarfs, horned-owls, fire-eyed cats, and a thousand other wretches that could not be named and described, whirled around them as if dancing to rapid music.  When the bride had looked on for a while, she broke out into loud laughter, and at last began to dance furiously along with them.  The poor bridegroom might shout and pray as much and as earnestly as he would, for she never attended to him, but at last transformed herself in a manner so extraordinary that he could not distinguish her from the other dancers.  He thought, however, that he had kept his eyes upon her, and seized on one of the dancers; but alas! it was only a horrible spectre which held him fast, and threw its wide waving shroud around him, so that he could not make his escape, while, at the same time, some of the subterraneous black demons pulled at his legs, and wanted to bear him down along with them into their bottomless caves.

Fortunately he happened at that moment to cross himself and call on the name of the Saviour, upon which the whole of this vile assembly fell into confusion.  They howled aloud and ran off in all directions, while Conrad in the meantime saved himself by recrossing the frontier, and getting under the protection of the Swedish copsewood.  His beautiful bride, however, was completely lost; and by no endeavours could he ever obtain her again, though he often came to the Finland border, called out her name aloud, wept and prayed, but all in vain.  Many times, it is true, he saw her floating about through the pine-trees, as if in chase, but she was always accompanied by a train of frightful creatures, and she herself also looked wild and disfigured.  For the most part she never noticed Conrad, but if she could not help fixing her eyes upon him, she laughed so immoderately, and in a mood of merriment so strange and unnatural, that he was terrified and made the sign of the cross, whereupon she always fled away, howling, into one of the thickets.

Conrad fell more and more into melancholy abstraction, hardly ever spoke, and though he had given over his vain walks into the forest, yet if one asked him a question, the only answer he returned was—­

“Ay, she is gone away beyond the mountains,” so little did he know or remember of any other object in the world but the lost beauty.

At last he died of grief; and according to a request which he had once made, his father prepared a grave for him on the place where the bride was found and lost, though during the fulfilment of this duty he had enough to do—­one while in contending with his crucifix against evil spirits, and at another, with his sword against wild beasts, which were no doubt sent thither by the magicians to attack and annoy him.  At length, however, he brought his task to an end, and thereafter it seemed as if the bride mourned for the youth’s untimely death, for there was heard often a sound of howling and lamentation at the grave.  For the most part, indeed, this voice is like the voices of wolves, yet, at the same time, human accents are to be distinguished, and I myself have often listened thereto on dark winter nights.

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Folk-Lore and Legends; Scandinavian from Project Gutenberg. Public domain.