In 1715, the year after the accession of George I., the electoral prince of Hanover,—­whose grandmother was the daughter of James I.,—­they broke out into open rebellion.  The pretender landed in Scotland, and made an abortive attempt to recover the throne.  The nation was kept in a state of excitement and turmoil until the disaster of Culloden, and the final defeat of Charles Edward, the young pretender, in 1745, one year after the death of Pope.

These historical facts had a direct influence upon English society:  the country was divided into factions; and political conflicts sharpened the wits and gave vigor to the conduct of men in all ranks.  Pope was an interpreter of his age, in politics, in general culture, and in social manners and morals.  Thus he was a politician among the statesmen Bolingbroke, Buckingham, Oxford, Sunderland, Halifax, Harley, and Marlborough.  His Essay on Criticism presents to us the artificial taste and technical rules which were established as a standard in literature.  His Essay on Man, his Moral Epistles, and his Universal Prayer are an index to the semi-Christian, semi-Grecian ethics of an age too selfish to be orthodox, and too progressive to be intolerant.  His Rape of the Lock is a striking picture of social life, sketched by the hand of a gentle satire.  His translations of Homer, and their great success, are significant of a more extended taste for scholarship; not attended, however, with many incentives to originality of production.  The nobles were still the patrons of literature, and they fancied old things which were grand, in new and gaudy English dresses.  The age was also marked by rapid and uniform progress in the English language.  The sonorous, but cumbrous English of Milton had been greatly improved by Dryden; and we have seen, also, that the terse and somewhat crude diction of Dryden’s earlier works had been polished and rendered more harmonious in his later poems.

This harmony of language seemed to Pope and to his patrons the chief aim of the poet, and to make it still more tuneful and melodious was the purpose of his life.

BIRTH AND EARLY LIFE.—­Pope was the son of a respectable linen-draper, who had achieved a competency and retired to enjoy it.  The mother of the poet must have been a good one, to have retained the ardent and eulogistic affection of her son to the close of her life, as she did.  This attachment is a marked feature in his biography, and at last finds vent in her epitaph, in which he calls her “mater optima, mulierum amantissima.”

Pope was a sickly, dwarfed, precocious child.  His early studies in Latin and Greek were conducted by priests of the Roman Catholic Church, to which his parents belonged; but he soon took his education into his own hands.  Alone and unaided he pursued his classical studies, and made good progress in French and German.

Of his early rhyming powers he says: