“He may, perchance,
in tail of a sheriff’s dinner,
Skip with a rime o’
the table, from near nothing,
And take his almain
leap into a custard,
Shall make my lady Maydress
and her sisters,
Laugh all their hoods
over their shoulders.”
It was once widely believed that a stone of magical, medicinal qualities was set in the toad’s head, and so Shakespeare wrote:
“Sweet are the uses
of adversity;
Which, like the toad,
ugly and venomous,
Wears yet a precious
jewel in its head.”
“A Midsummer Night’s Dream” is the most wonderful fairy story in the world, but Shakespeare did not create it out of hand; he found the fairy part of it in the traditions of the country people. One of his most intelligent students says: “He founded his elfin world on the prettiest of the people’s traditions, and has clothed it in the ever-living flower of his own exuberant fancy.”
This immense mass of belief, superstition, fancy, is called folk-lore and is to be found in all parts of the world. These fancies or faiths or superstitions were often distorted with stories, and side by side with folk-lore grew up the folk-tales, of which there are so many that a man might spend his whole life writing them down. They were not made as modern stories are often made, by men who think out carefully what they are to say, arrange the different parts so that they go together like the parts of a house or of a machine, and write them with careful selection of words so as to make the story vivid and interesting.
The folk-tales were not written out; many of them grew out of single incidents or little inventions of fancy, and became longer and larger as they passed from one story-teller to another and were retold generation after generation.