We have a very careful investigation into the relations between rapidity of movement and exactitude.[35] The subjects had to perform a hand movement simultaneously with the beat of a metronome, the beats of which varied between 20 and 200 in the minute. In general the accuracy of the movement decreases as the rapidity increases, but the descent is not uniform. Motions in the rhythm of 40 to the minute were on the whole just as exact as those in the rhythm of 20, and, on the other hand movements in the rhythm of 200 almost as accurate as those of 140 to the minute. Thus we have a lower limit below which decrease of rapidity does not increase the accuracy any further, and an upper limit beyond which a further increase of rapidity brings no additional deterioration. The mistakes of the unskilled left hand increase still more rapidly than the number of movements. If the eyes are closed, the rapid movements are usually too long and the slow ones too short.
An investigation in the Harvard laboratory varied this problem in a direction which brings it still nearer to technical conditions of industry. Our central question was whether the greatest exactitude of rhythmical movement is secured at the same rapidity for different muscle groups.[36] We studied especially rhythmical movements of hand, foot, arm, and head, and studied them, moreover, under various conditions of resistance. The result from 340,000 measured movements was the demonstration that every muscle group has its own optimum of rapidity for the greatest possible accuracy and that the complexity of the movement and the resistance which it finds has most significant influence on the exactitude of the rhythmical achievement. If we abstract at first from the fluctuations around the average value of a particular group of movements and consider only this average itself in its relation to the starting movement which it is meant to imitate, we find characteristic tendencies toward enlargement