Sonata in Ab, 35,
  Fantasia, language of Resignation, 61,
  Kreutzer, 44,
  “Moonlight,” 35,
  opus 111, 187,
  Pathetique, 26,
  Pastorale, 35,
  Waldstein, 11, 18, 44,
  opus, 102, 129. 
Sonata, the (form), 100. 
Sonatas, 33, 36, 39,
  Last (opus 109, 110, 111), 155,
  Lofty imaginings of, 155,
  Wondrous second movement of op. 111, 158,
  F minor and D minor, 152. 
Sonnleithner, 49, 56. 
Sontag, 160, 170. 
Spohr, 105. 
Stadler, Abbe, 139, 167. 
St. Just, 133. 
St. Stephen’s, Vienna, 22. 
Streicher, Madame, 185, 186. 
Stumpf, 139, 207, 209. 
Stutterheim, Field-marshal von, 198, 208, 209. 
Suite, the, earliest orchestral form, 99. 
Suesmayer, 31. 
Swieten, Baron von, 27, 59.

Tacitus, 4, 46. 
Tact, woman’s, 12. 
Tenth Symphony (proposed), 170, 200,
  Adagio of, 173,
  Allegro of, a Bacchic festival, 173,
  Religious in character, 172. 
Tetralogy, variations in, 157. 
Thackeray, 134. 
Thayer, A.W., 59, 90. 
Third Leonore overture, 56, 229. 
Third Mass (proposed), Kyrie of, 172
Third period, mysticism of, 100. 
Third Symphony (Eroica), 11, 40 et seq., 68, 71, 73, 100, 104, 123,
  Composed in spirit of altruism, 43,
  First dedicated to Napoleon, 43-44,
  Last movement of, 158,
  Unique as a Symphony, 43. 
Thomas, Theodore, 166. 
Thoreau, 3, 113, 123, 161, 176, 218, 227. 
Thun, Countess, 62. 
Tolstoy, 45. 
Tone-figure, 234. 
Tone-pictures, 148. 
Transposing, 31. 
Treitschke, 106. 
Trombones, 211,
  for Solemnity, 230. 
Turin, 93.

Unger, Fraeulein, 170. 
Unrest, 4.

Vander Stucken, 166. 
Variation form, 231,
  in the Diabelli Waltzes, 157,
  in Beethoven’s Symphonies, 157,
  in Beethoven’s Sonatas, 157. 
Vienna, bombarded by French, 85,
  Conservatory of, 118,
  Italian element in, 58,
  Population in Beethoven’s time, 58,
  Musical atmosphere of, 9, 10, 65,
  Society, attitude toward Beethoven, 60,
  its student element, 104. 
Viennese, virtuosity of, 62-63,
  aristocracy, 149. 
Vittoria, battle of, 102, 103. 
Voltaire, 218.

Wagner, 4, 30, 50, 51, 56-57, 64, 66, 77, 79, 96, 120, 123, 125, 126,
     127, 141, 150, 156, 157, 223,
  Art-product of, 228,
  biographical sketch of Beethoven, his, 228,
  C# minor quartet, 195,
  Criticisms on music, his, 227,
  Disciple of Beethoven, 225, 229,
  Early recognition of, in this country, 181,
  Evening of life, 208,
  Flying Dutchman, 79,
  Industry of, 216,
  Is influenced by Beethoven, 230, 231,
  Literary achievement, his, 228,
  Life’s Problem, solution of, 236,
  Life-work of, 208,
  Mystic, a, 236,
  Napoleonic ambition, 228,
  Ninth Symphony, 163, 165,
  Originality of, 230,
  Poetic temperament, 52, 53,
  Romanticism, his, 53, 230,