Had presented a medal to an employee who had remained with them
At the same salary for fifteen years.
So he had me fired.
And the Better Industrial Relations Exhibit was a great success.
And many of the morning and evening newspapers
Ran editorials about it.
THE PRIMA DONNA
She had been interviewed at all possible times,—
And sometimes the interviews came at impossible ones;
But it did not matter to her
As long as the stories were printed and her name was
spelt correctly.
So we sent a photographer to the hotel one day
To take pictures of her in her drawing room.
He was an ungentle photographer
Who had been accustomed to take pictures of young
women
Coming into the harbor on shipboard, and no photograph
was complete
Without limbs being crossed or suchwise.
But she did not mind even that,
If the pictures were published the next day.
He took a great number of her in her salon,
And departed happy at the day’s bagging.
A great international disturbance reduced all the
white space available
And no photographs were printed the next day
Of the prima donna.
And when I met her at rehearsal, she said very shortly:
“Je vous ne parle plus” and looked at
me harshly.
Was I to blame for the international situation?
PRESS STORIES
Though bandsmen’s notes from the street below
resound,
And the voices of jubilant masses proclaim a glorious
holiday,
I painstakingly pick out words on the typewriter,
By fits and starts, thinking up a story about the
great Metropolitan tenor.
The typewriter keys now hold no rhythmic tingle.
But the local manager in Iowa wants the story.
He has engaged the great tenor for a date next March
When the Tuesday musicale ladies give their annual
benefit for the Shriners.
He wants the concert to be such a success,
That his Iowan town will henceforth be in the foreground
Of Iowan towns, as far as music is concerned.
So he has wired in for this tale about the singer,
A story about his wife and baby, and what the baby
eats per diem.
And though the call is to the street below,
Where jubilant masses proclaim the holiday,
I must finish the story about the tenor’s wife
and baby
To put the Iowan town in the foreground, as far as
music is concerned.
THE DISTRIBUTION OF CREDIT
The Irish prize play had come back to Broadway.
Where to put the credit? On the astute manager
Who saw in it
A year of Broadway, two of stock, eternity in the
movies;
Or the League of Public Spirited Women
Banded together to uplift the Drama—
That was the question stirring dramatic circles and
the public.
It had failed in its first run of three weeks at an