=Unity.=
Two souls with but a single thought,
Two hearts that beat as one.
1981
MARIA WHITE LOWELL: Ingomar the Barbarian,
Act ii.
=Unkindness.=
This was the most unkindest cut of all. 1982 SHAKS.: Jul. Caesar, Act iii., Sc. 2.
=Use.=
These things are beyond all use,
And I do fear them.
1983
SHAKS.: Jul. Caesar, Act ii., Sc.
2.
==V.==
=Vacuity.=
He trudged along, unknowing what he sought, And whistled as he went, for want of thought. 1984 DRYDEN: Cym. and Iph., Line 84.
=Valentine.=
Oft have I heard both youths and virgins say,
Birds choose their mates, and couple too, this day;
But by their flight I never can divine
When I shall couple with my Valentine.
1985
HERRICK: Aph. To His Valentine.
=Valor.=
Fear to do base unworthy things is valor;
If they be done to us, to suffer them,
Is valor too.
1986
BEN JONSON: New Inn, Act iv., Sc. 3.
=Vanity.=
Light vanity, insatiate cormorant
Consuming means, soon preys upon itself.
1987
SHAKS.: Richard II., Act ii., Sc. 1.
What dotage will not Vanity maintain?
What web too weak to catch a modern brain?
1988
COWPER: Expostulation, Line 630.
=Vapor.=
A wing vapor melting in a tear.
1989
POPE: Odyssey, Bk. xix., Line 143.
=Variety.=
Variety’s the very spice of life,
That gives it all its flavor.
1990
COWPER: Task, Bk. ii., Line 606.
=Vault.=
Heaven’s ebon vault
Studded with stars unutterably bright.
1991
SHELLEY: Queen Mab.
=Vengeance.=
In high vengeance there is noble scorn. 1992 GEORGE ELIOT: Spanish Gypsy, Bk. iv.
=Venice.=
I stood in Venice, on the Bridge of Sighs,
A palace and a prison on each hand.
1993
BYRON: Ch. Harold, Canto iv., St.
1.
In Venice, Tasso’s echoes are no more,
And silent rows the songless gondolier.
1994
BYRON: Ch. Harold, Canto iv., St.
3.
=Venus.=
Love seldom haunts the breast where learning lies, And Venus sets ere Mercury can rise. 1995 POPE: Wife of Bath, Her Prologue, Line 369.
=Verse.=
Whoe’er offends at some unlucky time
Slides into verse, and hitches in a rhyme.
1996
POPE: Satire i., Bk. ii., Line 76.
Verse sweetens toil, however rude the sound; She feels no biting pang the while she sings. 1997 RICHARD GIFFORD: Contemplation.
=Vice.=
There is no vice so simple, but assumes
Some mark of virtue on his outward parts.
1998
SHAKS.: M. of Venice, Act iii., Sc. 2.
I hate when vice can bolt her arguments, And virtue has no tongue to check her pride. 1999 MILTON: Comus, Line 760.