* * * *

PERSONS REPRESENTED.

  ELECTRA. 
  HELEN. 
  HERMIONE. 
  CHORUS. 
  ORESTES. 
  MENELAUS. 
  TYNDARUS. 
  PYLADES. 
  A PHRYGIAN. 
  APOLLO.

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THE ARGUMENT.

* * * *

Orestes, in revenge for the murder of his father, took off AEgisthus and Clyaetmnestra; but having dared to slay his mother, he was instantly punished for it by being afflicted with madness.  But on Tyndarus, the father of her who was slain, laying an accusation against him, the Argives were about to give a public decision on this question, “What ought he, who has dared this impious deed, to suffer?” By chance Menelaus, having returned from his wanderings, sent in Helen indeed by night, but himself came by day, and being entreated by Orestes to aid him, he rather feared Tyndarus the accuser:  but when the speeches came to be spoken among the populace, the multitude were stirred up to kill Orestes. * * * * But Pylades, his friend, accompanying him, counseled him first to take revenge on Menelaus by killing Helen.  As they were going on this project, they were disappointed of their hope by the Gods snatching away Helen from them.  But Electra delivered up Hermione, when she made her appearance, into their hands, and they were about to kill her.  When Menelaus came, and saw himself bereft by them at once of his wife and child, he endeavored to storm the palace; but they, anticipating his purpose, threatened to set it on fire.  Apollo, however, having appeared, said that he had conducted Helen to the Gods, and commanded Orestes to take Hermione to wife, and Electra to dwell with Pylades, and, after that he was purified of the murder, to reign over Argos.

The scene of the piece is laid at Argos; But the chorus consists of Argive women, intimate associates of Electra, who also come on inquiring about the calamity of Orestes.  The play has a catastrophe rather suited to comedy.  The opening scene of the play is thus arranged.  Orestes is discovered before the palace of Agamemnon, fatigued, and, on account of his madness, lying on a couch on which Electra is sitting by him at his feet.  A difficulty has been started, why does not she sit at his head? for thus would she seem to watch more tenderly over her brother, if she sat nearer him.  The poet, it is answered, seems to have made this arrangement on account of the Chorus; for Orestes, who had but just then and with difficulty gotten to sleep, would have been awakened, if the women that constituted the Chorus had stood nearer to him.  But this we may infer from what Electra says to the Chorus, “[Greek:  Siga, siga, lepton ichnos arbyleis].”  It is probable then that the above is the reason of this arrangement.

The play is among the most celebrated on the stage, but infamous in its morals; for, with the exception of Pylades, all the characters are bad persons.