CHOR. Ye dark blue, dark blue meetings of the sea, which Io, hurried along by the brize, once passed through to the Euxine wave, having changed the territory of Asia for Europe,—who were they who left fair-watered Eurotas, flourishing in reeds, or the sacred founts of Dirce, and came, and came to the inhospitable land, where the daughter of Jove bedews her altars and column-girt temples with human blood? Of a truth by the surge-dashing oars of fir, worked on both sides, they sailed in a nautical carriage o’er the ocean waves, striving in the emulation after loved wealth in their houses. For darling hope is in dangers insatiate among men, who bear off the weight of riches, wandering in vain speculation on the wave and o’er barbarian cities. But to some[58] there is a mind immoderate after riches, to others they come unsought. How did they pass through the rocks that run together, the ne’er resting beaches of Phineus, [and] the marine shore, running o’er the surge of Amphitrite,[59]—where the choruses of the fifty daughters of Nereus entwine in the dance,—[although] with breezes that fill the sails, the creaking rudders resting at the poop, with southern gales or the breezes of Zephyr, to the bird-haunted land, the white beach, the glorious race-course of Achilles, near the Euxine Sea. Would that, according to my mistress’ prayers, Helen, the dear daughter of Leda, might sometime chance to come, quitting the city of Troy, that, having been drenched about the head with the blood-stained lustral dews, she might die by my mistress’ hand, paying in turn an equal penalty [for her death.] Most joyfully then would we receive this news, if any one came sailing from the Grecian land, to make the toils of my hapless slavery to cease. And would that in my dreams