* * * * *
Toast—We beg to propose the health of the liberal-minded purchaser of the Althorp Library, who intends to keep the books in a building open to all readers, adapting the toastmaster’s phrase for the occasion, and giving, “Our Noble Shelves!”
* * * * *
Lays of modern home.
No. 4.—CHLOE’S appropriation claws.
[Illustration]
A ye who bless the wedded state
With tributes born of generous
blindness,
Bemourn the fate that well may wait
Your
gifted kindness.
My CHLOE’s ultra-modern mind
Transforms your Dresden’s grace
and Chelsea’s,
The toys for special use designed,
To
something else’s.
For Chloe reads each weekly print,
Where Art’s resource
is blent with Scandal’s,
Where decorative females hint
Their
cure for Vandals.
Your large, expensive Wedgwood bowls,
She bids her “Lor!"-exclaiming
waitress
To cram with large, expensive coals,
The
pretty traitress!
On daintiest overmantel’s ledge
She sets enshrined your prosy
platter;
Your salt-cellars she stocks with veg-
etable
matter.
And when the Summer comes (if hail
For once not hails the sunny
swallows)
Our fenders hold your statues pale
Of
chipped Apollos.
With out-of-fashion toilet sets,
Their sprigs of ringstands,
bits of boxes,
She picturesques her cabinet’s
Quaint
heterodoxies.
My blue tobacco-jar she’ll hoard
For party-nights, and on the
basket
Whereon my manuscripts are stored
Will
throne—a casket!
“Ingenious” Chloe, sure,
opines
Is Genius’ proper derivation;
“Appropriate” with her defines
Appropriation.
Poor STREPHON, fond, bewildered wight!
He doubts, amazed by changes
showy,
If CHLOE’s own be STREPHON quite,
Or
STREPHON’s, Chloe!
* * * * *
Birds of A feather.
["He (Mr. Gladstone)
has not as yet even secured the spoil,
but the Vultures are already
gathered together.”—Mr.
Chamberlain at Birmingham.]