[c] Quintilian makes honourable mention of Julius Secundus, who, if he had not been prematurely cut off, would have transmitted his name to posterity among the most celebrated orators.  He would have added, and he was daily doing it, whatever was requisite to complete his oratorical genius; and all that could be desired, was more vigour in argument, and more attention to matter and sentiment, than to the choice of words.  But he died too soon, and his fame was, in some degree, intercepted.  He has, notwithstanding, left a considerable name.  His diction was rich and copious; he explained every thing with grace and elegance; his periods flowed with a suavity that charmed his audience; his language, when metaphorical, was bold, yet accurate; and, if he hazarded an unusual phrase, he was justified by the energy with which his meaning was conveyed. Julio Secundo, si longior contigisset aetas, clarissimum profecto nomen oratoris apud posteros foret.  Adjecisset enim, atque adjiciebat, caeteris virtutibus suis, quod desiderari potest; id est autem, ut esset multo magis pugnax, et saepius ad curam rerum ab elocutione respiceret.  Caeterum interceptus quoque magnum sibi vindicat locum.  Ea est facundia, tanta in explicando, quod velit, gratia; tam candidum, et lene, et speciosum dicendi genus; tanta verborum, etiam quae assumpta sunt, proprietas; tanta in quibusdam, ex periculo petitis, significantia. Quintil. lib. x. s. 1.  It is remarkable, that Quintilian, in his list of Roman orators, has neither mentioned Maternus, nor Marcus Aper.  The Dialogue, for that reason, seems to be improperly ascribed to him:  men who figure so much in the enquiry concerning oratory, would not have been omitted by the critic who thought their conversation worth recording.

Section III.

[a] Thyestes was a common and popular subject of ancient tragedy.

     Indignatur item privatis, et prope socco
     Dignis carminibus narrari coena Thyestae. 
                    HORAT.  ARS POET. ver. 90.

[b] It was the custom of the colonies and municipal towns, to pay their court to some great orator at Rome, in order to obtain his patronage, whenever they should have occasion to apply to the senate for a redress of grievances.

[c] Domitius was another subject of tragedy, taken from the Roman story.  Who he was, does not clearly appear.  Brotier thinks it was Domitius, the avowed enemy of Julius Caesar, who moved in the senate for a law to recall that general from the command of the army in Gaul, and, afterwards, on the breaking out of the civil war, fell bravely at the battle of Pharsalia.  See Suetonius, Life of Nero, section 2.  Such a character might furnish the subject of a tragedy.  The Roman poets were in the habit of enriching their drama with domestic occurrences, and the practice was applauded by Horace.

Nec minimum meruere decus, vestigia Graeca
Ausi deserere, et celebrare domestica facta. 
ARS POET. ver. 286.