Nevertheless, people go to the springs and drink.
Then they go to the bowling-alleys and bowl.
In the evening, if you are hilariously inclined, you
can make the tour of the hotels. In each one you
see a large and brilliantly lighted parlor, along
the four sides of which are women sitting solemn and
stately, in rows three deep, with a man dropped in
here and there, about as thick as periods on a page,
very young or very old or in white cravats. A
piano or a band or something that can make a noise
makes it at intervals at one end of the room.
They all look as if they were waiting for something,
but nothing in particular happens. Sometimes,
after the mountain has labored awhile, some little
mouse of a boy and girl will get up, execute an antic
or two and sit down again, when everything relapses
into its original solemnity. At very long intervals
somebody walks across the floor. There is a moderate
fluttering of fans and an occasional whisper.
Expectation interspersed with gimcracks seems to be
the programme. The greater part of the dancing
that I saw was done by boys and girls. It was
pretty and painful. Nobody dances so well as children;
no grace is equal to their grace: but to go into
a hotel at ten o’clock at night, and see little
things, eight, ten, twelve years old, who ought to
be in bed and asleep, tricked out in flounces and ribbons
and all the paraphernalia of ballet-girls, and dancing
in the centre of a hollow square of strangers,—I
call it murder in the first degree. What can
mothers be thinking of to abuse their children so?
Children are naturally healthy and simple; why should
they be spoiled? They will have to plunge into
the world full soon enough; why should the world be
plunged into them? Physically, mentally, and
morally, the innocents are massacred. Night after
night I saw the same children led out to the slaughter,
and as I looked I saw their round, red cheeks grow
thin and white, their delicate nerves lose tone and
tension, their brains become feeble and flabby, their
minds flutter out weakly in muslin and ribbons, their
vanity kindled by injudicious admiration, the sweet
child—unconsciousness withering away in
the glare of indiscriminate gazing, the innocence and
simplicity and naturalness and child-likeness swallowed
up in a seething whirlpool of artificialness, all
the fine, golden butterfly-dust of modesty and delicacy
and retiring girlhood ruthlessly rubbed off forever
before girlhood had even reddened from the dim dawn
of infancy. Oh! it is cruel to sacrifice children
so. What can atone for a lost childhood?
What can be given in recompense for the ethereal,
spontaneous, sharply defined, new, delicious sensations
of a sheltered, untainted, opening life?