The few, even among professed scholars, that are able to read the ancient Historians in their inimitable, originals, are startled at the paradox, of Bolingbroke who boldly prefers Guicciardini to Thucydides; that is, the most verbose and tedious to the most comprehensive and concise of writers, and a collector of facts to one who was himself an eye-witness and a principal actor in the important story he relates.  And, indeed, it may be well presumed, that the ancient histories exceed the modern from this single consideration, that the latter are commonly compiled by recluse scholars, unpractised in business, war, and politics; whilst the former are many of them written by ministers, commanders, and princes themselves.  We have, indeed, a few flimsy memoirs, particularly in a neighbouring nation, written by persons deeply interested in the transactions they describe; but these I imagine will not be compared to “The retreat of the ten thousand” which Xenophon himself conducted and related, nor to “the Galic war” of Caesar, nor “The precious fragments” of Polybius, which our modern generals and ministers would not have discredited by diligently perusing, and making them the models of their conduct as well as of their style.  Are the reflections of Machiavel so subtle and refined as those of Tacitus?  Are the portraits of Thuanus so strong and expressive as those of Sallust and Plutarch?  Are the narrations of Davila so lively and animated, or do his sentiments breathe such a love of liberty and virtue, as those of Livy and Herodotus?

The supreme excellence of the ancient Architecture the last particular to be touched, I shall not enlarge upon, because it has never once been called in question, and because it is abundantly testified by the awful ruins of amphitheatres, aqueducts, arches, and columns, that are the daily objects of veneration, though not of imitation.  This art, it is observable; has never been improved in later ages in one single instance; but every just and legitimate edifice is still formed according to the five old established orders, to which human wit has never been able to add a sixth of equal symmetry and strength.

Such, therefore, are the triumphs of the Ancients, especially the Greeks, over the Moderns.  They may, perhaps, be not unjustly ascribed to a genial climate, that gave such a happy temperament of body as was most proper to produce fine sensations; to a language most harmonious, copious, and forcible; to the public encouragements and honours bestowed on the cultivators of literature; to the emulation excited among the generous youth, by exhibitions of their performances at the solemn games; to an inattention to the arts of lucre and commerce, which engross and debase the minds of the moderns; and above all, to an exemption from the necessity of overloading their natural faculties with learning and languages, with which we in these later times are obliged to qualify ourselves, for writers, if we expect to be read.