the exiles would return to Florence, and that he would
enjoy an honourable life, an immortality of glorious
renown? Did envy for his cousin’s greatness
and resentment of his undisguised contempt—the
passions of one who had been used for vile ends—conscious
of self-degradation and the loss of honour, yet mindful
of his intellectual superiority—did these
emotions take fire in him and mingle with a scholar’s
reminiscences of antique heroism, prompting him to
plan a deed which should at least assume the show
of patriotic zeal, and prove indubitable courage in
its perpetrator? Did he, again, perhaps imagine,
being next in blood to Alessandro and direct heir to
the ducal crown by the Imperial Settlement of 1530,
that the city would elect her liberator for her ruler?
Alfieri and Niccolini, having taken, as it were, a
brief in favour of tyrannicide, praised Lorenzino
as a hero. De Musset, who wrote a considerable
drama on his story, painted him as a roue corrupted
by society, enfeebled by circumstance, soured by commerce
with an uncongenial world, who hides at the bottom
of his mixed nature enough of real nobility to make
him the leader of a forlorn hope for the liberties
of Florence. This is the most favourable construction
we can put upon Lorenzo’s conduct. Yet
some facts of the case warn us to suspend our judgment.
He seems to have formed no plan for the liberation
of his fellow-citizens. He gave no pledge of
self-devotion by avowing his deed and abiding by its
issues. He showed none of the qualities of a leader,
whether in the cause of freedom or of his own dynastic
interests, after the murder. He escaped as soon
as he was able, as secretly as he could manage, leaving
the city in confusion, and exposing himself to the
obvious charge of abominable treason. So far
as the Florentines knew, his assassination of their
Duke was but a piece of private spite, executed with
infernal craft. It is true that when he seized
the pen in exile, he did his best to claim the guerdon
of a patriot, and to throw the blame of failure on
the Florentines. In his Apology, and in a letter
written to Francesco de’ Medici, he taunts them
with lacking the spirit to extinguish tyranny when
he had slain the tyrant. He summons plausible
excuses to his aid—the impossibility of
taking persons of importance into his confidence,
the loss of blood he suffered from his wound, the
uselessness of rousing citizens whom events proved
over-indolent for action. He declares that he
has nothing to regret. Having proved by deeds
his will to serve his country, he has saved his life
in order to spend it for her when occasion offered.
But these arguments, invented after the catastrophe,
these words, so bravely penned when action ought to
have confirmed his resolution, do not meet the case.
It was no deed of a true hero to assassinate a despot,
knowing or half knowing that the despot’s subjects
would immediately elect another. Their languor
could not, except rhetorically, be advanced in defence
of his own flight.