“Stradella,” a romantic opera in three acts, was first written as a lyric drama and produced at the Palais Royal Theatre, Paris, in 1837, and was subsequently rewritten in its present form under the title of “Alessandro Stradella” and produced at Hamburg, Dec. 30, 1844.  The English version, which was somewhat altered by Bunn, was produced in London, June 6, 1846.  The story follows the historic narrative of Stradella, the Italian musician, except in the denouement.  Stradella woos and wins Leonora, the fair ward of Bassi, a rich Venetian nobleman, with whom the latter is himself in love.  They fly to Rome and are married.  Bassi hires two bravoes, Barbarino and Malvolio, to follow them and kill Stradella.  They track him to his house, and while the bridal party are absent enter and conceal themselves, Bassi being with them.  Upon this occasion, however, they do not wait to accomplish their purpose.  Subsequently they gain admission again in the guise of pilgrims, and are hospitably received by Stradella.  In the next scene Stradella, Leonora, and the two bravoes are together in the same apartment, singing the praises of their native Italy.  During their laudations the chorus of a band of pilgrims on their way to the shrine of the Virgin is heard, and Leonora and Stradella go out to greet them.  The bravoes have been so moved by Stradella’s singing that they hesitate in their purpose.  Bassi enters and upbraids them, and finally, by the proffer of a still larger sum, induces them to consent to carry out his design.  They conceal themselves.  Stradella returns and rehearses a hymn to the Virgin which he is to sing at the festivities on the morrow.  Its exquisite beauty touches them so deeply that they rush out of their hiding-place, and falling at his feet confess the object of their visit and implore his forgiveness.  Leonora enters, and is astonished to find her guardian present.  Explanations follow, a reconciliation is effected, and the lovers are happy.  The denouement differs from the historical story, which, according to Bonnet, Bourdelot, and others, ends with the death of the lovers at Genoa, at the hands of the hired assassins.

The opera is one of the most charming of Flotow’s works for its apt union of very melodious music with dramatic interest.  Its most beautiful numbers are Stradella’s serenade ("Horch, Liebchen, horch!"), the following nocturne ("Durch die Thaeler, ueber Huegel"), the brilliant and animated carnival chorus ("Freudesausen, Jubelbrausen”) of the masqueraders who assist in the elopement, in the first act; the aria of Leonora in her bridal chamber ("Seid meiner Wonne"), the rollicking drinking-song of the two bravoes ("’Raus mit dem Nass aus dem Fass”) and the bandit ballad ("Tief in den Abruzzen “) sung by Stradella, in the second act; an exquisite terzetto ("Sag doch an, Freund Barbarino”) sung by Bassi and the two bravoes when they hesitate to perform their work, and Stradella’s lovely hymn to the Virgin ("Jungfrau Maria!  Himmlisch verklaerte"), in the last act.