As for me, the picturesqueness of the Hulk, the simple mode of life of the inmates, their innate refinement, the unselfish devotion of little Emily to the old man, the conflicting elements in his character, his fierceness—­almost brutality—­at times, his extreme gentleness at others, his rough treatment of every stranger who attempted to land on his shore, his tenderness over the child, all combined to pique my curiosity to know something of his earlier life.

Moreover, I constantly saw new beauties in the old Hulk.  It always seemed to adapt itself to the changing moods of the weather,—­being grave or gay as the skies lowered or smiled.  In the dull November days, when the clouds drifted in straight lines of slaty gray, it assumed a weird, forbidding look.  When the wind blew a gale from the northeast, and the back water of the river overflowed the marsh,—­submerging the withered grass and breaking high upon the foot-bridge,—­it seemed for all the world like the original tenement of old Noah himself, derelict ever since his disembarkation, and stranded here after centuries of buffetings.  On other days it had a sullen air, settling back in its bed of mud as if tired out with all these miseries, glaring at you with its one eye of a window aflame with the setting sun.

As the autumn lost itself in the winter, I continued my excursions to the Hulk, sketching in the neighborhood, gathering nuts with little Emily, or helping the old man with his nets.

On one of these days a woman, plainly but neatly dressed, met me at the edge of the wood, inquired if I had seen a child pass my way, and quickly disappeared in the bushes.  I noticed her anxious face and the pathos of her eyes when I answered.  Then the incident passed out of my mind.  A few days later I saw her again, sitting on a pile of stones as if waiting for some one.  Little Emily had seen her too, and stopped to talk to her.  I could follow their movements over my easel.  As soon as the child caught my eye she started up and ran towards the Hulk, the woman darting again into the bushes.  When I questioned Emily about it she hesitated, and said it was a poor woman who had lost her little girl and who was very sad.

Brockway himself became more and more a mystery.  I sought every opportunity to coax from him something of his earlier life, but he never referred to it but once, and then in a way that left the subject more impenetrable than ever.

I was speaking of a recent trip abroad, when he turned abruptly and said:—­

“Is the Milo still in that little room in the Louvre?”

“Yes,” I answered, surprised.

“I am glad of that.  Against that red curtain she is the most beautiful thing I know.”

“When did you see the Venus?” I asked, as quietly as my astonishment would allow.

“Oh, some years ago, when I was abroad.”

He was bending over and putting some new teeth in his oyster tongs at the time, riveting them on a flat-iron with a small hammer.