Punch, or the London Charivari, Volume 1, September 18, 1841 eBook

This eBook from the Gutenberg Project consists of approximately 65 pages of information about Punch, or the London Charivari, Volume 1, September 18, 1841.

Punch, or the London Charivari, Volume 1, September 18, 1841 eBook

This eBook from the Gutenberg Project consists of approximately 65 pages of information about Punch, or the London Charivari, Volume 1, September 18, 1841.

As, “in the silence and overshadowing of that night whose fitful meteoric fires only herald the descent of a superficial fame into lasting oblivion, the imbecile and unavailing resistance which is made against the doom must often excite our pity for the pampered child of market-gilded popularity;” and as “it is not with such feelings that we behold the dark thraldom and long-suffering of true intellectual strength,” of which the “brief, though frequent, soundings beneath the earthly pressure will be heard even amidst the din of flaunting crowds, or the solemn conclaves of common-place minds,” of which the “obscured head will often shed forth ascending beams that can only be lost in eternity;” and of which the “mighty struggles to upheave its own weight, and that of the superincumbent mass of prejudice, envy, ignorance, folly, or uncongenial force, must ever ensure the deepest sympathy of all those who can appreciate the spirit of its qualities;” let the initiative skyward struggles towards the zenith-abysses of the inane impalpable ——­, &c. &c. &c. &c. &c. &c.

Dramatic Authors’ Theatre, Sept. 16, 1841.

* * * * *

HUMANE SUGGESTION.

MASTER PUNCH,—­Mind ye’s, I’ve been to see these here Secretens at the English Uproar ’Ouse, and thinks, mind ye’s, they aint by no means the werry best Cheshire; but what I want to know is this here—­Why don’t they give that wenerable old genelman, Mr. Martinussy, the Hungry Cardinal, something to eat?—­he is a continually calling out for some of his Countrys Weal, (which, I dare say, were werry good) and he don’t never git so much as a sandvich dooring the whole of his life and death—­I mention dese tings, because, mind ye’s, it aint werry kind of none on ’em.

I remains, Mr. PUNCH, Sir, yours truly,

DEF BURKE,

[Illustration:  HIS MARK.]

* * * * *

DIALOGUE BETWEEN THE STATUE OF GEORGE CANNING AND SIR ROBERT PEEL.

The new Premier was taking a solitary stroll the other evening through Palace-yard, meditating upon the late turn which had brought the Tories to the top of the wheel and the Whigs to the bottom, and pondering on the best ways and means of keeping his footing in the slippery position that had cost him so much labour to attain.  While thus employed, with his eyes fixed on the ground, and his hands buried in his breeches-pockets, he heard a voice at no great distance, calling in familiar tone—­

“Bob!  Bob!—­I say, Bob!”

The alarmed Baronet stopped, and looked around him to discover the speaker, when, casting his eyes upon the statue of George Canning in the enclosure of Westminster Abbey, he was astonished to perceive it nodding its head at him, like the statue in “Don Giovanni,” in a “How d’ye do?” kind of way.  Sir Robert, who, since his introduction to the Palace, has grown perilously polite, took off his hat, and made a low bow to the figure.

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Punch, or the London Charivari, Volume 1, September 18, 1841 from Project Gutenberg. Public domain.