Punch, or the London Charivari, Volume 1, September 12, 1841 eBook

This eBook from the Gutenberg Project consists of approximately 61 pages of information about Punch, or the London Charivari, Volume 1, September 12, 1841.

Punch, or the London Charivari, Volume 1, September 12, 1841 eBook

This eBook from the Gutenberg Project consists of approximately 61 pages of information about Punch, or the London Charivari, Volume 1, September 12, 1841.

The three first are all of the coal-sackian cut, being, in fact, elegant elongated pillow-cases, with two diminutive bolsters, which are to be filled with arms instead of feathers.  They are singularly adapted for concealing the fall in the back, and displaying to the greatest advantage those unassuming castors designated “Jerrys,” which have so successfully rivalled those silky impostors known to the world as

[Illustration:  THIS (S)TILE—­FOUR-AND-NINE.]

The box-coat has, of late years, been denuded of its layers of capes, and is now cut for the sole purpose, apparently, of supporting perpendicular rows of wooden platters or mother-of-pearl counters, each of which would be nearly large enough for the top of a lady’s work-table.  Mackintosh-coats have, in some measure, superseded the box-coat; but, like carters’ smock-frocks, they are all the creations of speculative minds, having the great advantage of keeping out the water, whilst they assist you in becoming saturated with perspiration.  We strongly suspect their acquaintance with India-rubber; they seem to us to be a preparation of English rheumatism, having rather more of the catarrh than caoutchouc in their composition.  Everybody knows the affinity of India-rubber to black-lead; but when made into a Mackintosh, you may substitute the lum for the plumbago.

We never see a fellow in a seal-skin cap, and one of these waterproof pudding-bags, but we fancy he would make an excellent model for

[Illustration:  THE FIGURE-HEAD OF A CONVICT SHIP.]

The ornaments and pathology will next command our attention.

* * * * *

A friend insulted us the other day with the following:—­“Billy Black supposes Sam Rogers wears a tightly-laced boddice.  Why is it like one of Milton’s heroes?” Seeing we gave it up, he replied—­“Because Sam’s-on-agony-stays.”—­(Samson Agonistes.)

* * * * *

THE GOLDEN-SQUARE REVOLUTION.

[BY EXPRESS.]

This morning, at an early hour, we were thrown into the greatest consternation by a column of boys, who poured in upon us from the northern entrance, and, taking up their-station near the pump, we expected the worst.

8 o’clock.—­The worst has not yet happened.  An inhabitant has entered the square-garden, and planted himself at the back of the statue; but everything is in STATUE QUO.

5 minutes past 8.—­The boys are still there.  The square-keeper is nowhere to be found.

10 minutes past 8.—­The insurgents have, some of them, mounted on the fire-escape.  The square-keeper has been seen.  He is sneaking round the corner, and resolutely refuses to come nearer.

1/4 past 8.—­A deputation has waited on the square-keeper.  It is expected that he will resign.

20 minutes past 8.—­The square-keeper refuses to resign.

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Punch, or the London Charivari, Volume 1, September 12, 1841 from Project Gutenberg. Public domain.