he argued; “for if you do, then you stand convicted
of valuing your liberties more than your religion,
which ought to be your first and highest concern.”
Such scraps of rhetorical logic were but as straws
in the storm of anti-warlike passion that was then
raging. Nor did Defoe succeed in turning the
elections by addressing “to the good people
of England” his
Six Distinguishing Characters
of a Parliament Man, or by protesting as a freeholder
against the levity of making the strife between the
new and the old East India Companies a testing question,
when the very existence of the kingdom was at stake.
His pamphlets were widely distributed, but he might
as soon have tried to check a tempest by throwing
handfuls of leaves into it. One great success,
however, he had, and that, strangely enough, in a direction
in which it was least to be anticipated. No better
proof could be given that the good-humoured magnanimity
and sense of fair-play on which English people pride
themselves is more than an empty boast than the reception
accorded to Defoe’s
True-Born Englishman.
King William’s unpopularity was at its height.
A party writer of the time had sought to inflame the
general dislike to his Dutch favourites by “a
vile pamphlet in abhorred verse,” entitled
The
Foreigners, in which they are loaded with scurrilous
insinuations. It required no ordinary courage
in the state of the national temper at that moment
to venture upon the line of retort that Defoe adopted.
What were the English, he demanded, that they should
make a mock of foreigners? They were the most
mongrel race that ever lived upon the face of the
earth; there was no such thing as a true-born Englishman;
they were all the offspring of foreigners; what was
more, of the scum of foreigners.
“For Englishmen to boast of
generation
Cancels their knowledge, and lampoons
the nation.
A true-born Englishman’s a
contradiction,
In speech an irony, in fact a fiction.”
* * * *
*
And here begins the ancient pedigree
That so exalts our poor nobility.
’Tis that from some French
trooper they derive,
Who with the Norman bastard did
arrive;
The trophies of the families appear,
Some show the sword, the bow, and
some the spear
Which their great ancestor, forsooth,
did wear.
These in the herald’s register
remain,
Their noble mean extraction to explain,
Yet who the hero was no man can
tell,
Whether a drummer or colonel;
The silent record blushes to reveal
Their undescended dark original.
* * * *
*
“These are the heroes that
despise the Dutch
And rail at new-come foreigners
so much;
Forgetting that themselves are all
derived
From the most scoundrel race that
ever lived;
A horrid crowd of rambling thieves
and drones,
Who ransacked kingdoms and dispeopled