I used to think that she knew, if not all, at least a portion; that the weight that undoubtedly was upon her mind was nothing else but that.  She broke up, was breaking up from day to day, and I can think of no other reason.  She had the air of being disintegrated, like a mineral under an immense weight—­quartz in a crushing mill; of being dulled and numbed as if she were under the influence of narcotics.

There is little enough wonder, if she actually carried that imponderable secret about with her.  I used to look at her sometimes, and wonder if she, too, saw the oncoming of the inevitable.  She was limited enough in her ideas, but not too stupid to take that in if it presented itself.  Indeed they have that sort of idea rather grimly before them all the time—­that class.

It must have been that that was daily, and little by little, pressing down her eyelids and deepening the quivering lines of her impenetrable face.  She had a certain solitary grandeur, the pathos attaching to the last of a race, of a type; the air of waiting for the deluge, of listening for an inevitable sound—­the sound of oncoming waters.

It was weird, the time that I spent in that house—­more than weird—­deadening.  It had an extraordinary effect on me—­an effect that my “sister,” perhaps, had carefully calculated.  She made pretensions of that sort later on; said that she had been breaking me in to perform my allotted task in the bringing on of the inevitable.

I have nowhere come across such an intense solitude as there was there, a solitude that threw one so absolutely upon one’s self and into one’s self.  I used to sit working in one of those tall, panelled rooms, very high up in the air.  I was writing at the series of articles for the Bi-Monthly, for Polehampton.  I was to get the atmosphere of Paris, you remember.  It was rather extraordinary, that process.  Up there I seemed to be as much isolated from Paris as if I had been in—­well, in Hampton Court.  It was almost impossible to write; I had things to think about:  preoccupations, jealousies.  It was true I had a living to make, but that seemed to have lost its engrossingness as a pursuit, or at least to have suspended it.

The panels of the room seemed to act as a sounding-board, the belly of an immense ’cello.  There were never any noises in the house, only whispers coming from an immense distance—­as when one drops stones down an unfathomable well and hears ages afterward the faint sound of disturbed waters.  When I look back at that time I figure myself as forever sitting with uplifted pen, waiting for a word that would not come, and that I did not much care about getting.  The panels of the room would creak sympathetically to the opening of the entrance-door of the house, the faintest of creaks; people would cross the immense hall to the room in which they plotted; would cross leisurely, with laughter and rustling of garments that after a long time reached my ears in whispers.  Then I should have an access of mad jealousy.  I wanted to be part of her life, but I could not stand that Salon of suspicious conspirators.  What could I do there?  Stand and look at them, conscious that they all dropped their voices instinctively when I came near them?