Going down to Liddesdale once, I drew the castle of Hermitage in my fashion, and sketched it so accurately that with a few verbal instructions Clerk put it into regular form, Williams[201] (the Grecian) copied over Clerk’s, and his drawing was engraved as the frontispiece of the first volume of the Kelso edition, Minstrelsy of the Scottish Border.[202] Do you know why you have written all this down, Sir W.? Because it pleases me to record that this thrice-transmitted drawing, though taken originally from a sketch of mine, was extremely like Hermitage, which neither of my colleagues in the task had ever seen? No, that’s not the reason. You want to put off writing Woodstock, just as easily done as these memoranda, but which it happens your duty and your prudence recommend, and therefore you are loath to begin.
“Heigho,
I can’t say no;
But this piece of task-work off I can stave,
O,
For Malachi’s posting into an octavo;
To correct the proof-sheets only this night I
have, O,
So, Madame Conscience, you’ve gotten as
good as you gave, O
But to-morrow’s a new day and we’ll
better behave, O,
So I lay down the pen, and your pardon I crave,
O.”
In the evening Mr. Gibson called and transacted business.
March 2.—I have a letter from Colin Mackenzie, approving Malachi,—“Cold men may say it is too strong; but from the true men of Scotland you are sure of the warmest gratitude.” I never have yet found, nor do I expect it on this occasion, that ill-will dies in debt, or what is called gratitude distresses herself by frequent payments. The one is like a ward-holding and pays its reddendo in hard blows. The other a blanch-tenure, and is discharged for payment of a red rose or a peppercorn.