But with all the numerous bets that are made, and the excitement and interest, that must necessarily be aroused, there is nothing of the turbulent and uproarious demonstration so characteristic of the English race-course.  The “rough” element is kept away from the French turf, partly because it would find its surroundings there uncongenial with its tastes, and partly by the small entrance-fee required; and one is thus spared at Longchamps the sight of those specimens of the various forms of human misery and degradation that offend the eye at Epsom and infest even the more aristocratic meetings of Ascot and Goodwood.  At the French races, too, one never hears the shrieks and howls of an English crowd, save perhaps when in some very important contest the favorite is beaten, and even then the yells come from English throats:  it is the bookmakers’ song of victory.  A stranger at Longchamps would perceive at once that racing has no hold upon the popular heart, and that, so far as it is an amusement at all apart from the gambling spirit evoked, it is merely the hobby and pastime of a certain number of idle gentlemen.  As to the great mass of spectators, who are not interested in the betting, they go to Longchamps as they would go to any place where uniforms and pretty toilettes and fine carriages are to be seen; for the Parisian, as one of them has well said, “never misses a review, and he goes to the races, although he understands nothing about them:  the horses scarcely interest him at all.  But there he is because he must do as ‘all Paris’ does:  he even tries to master a few words of the barbarous jargon which it is considered bon-ton to speak at these places, for it seems that the French language, so rich, so flexible, so accurate, is insufficient to express the relations and affinities between man and the horse.”

The enceinte du pesage, often called in vulgar English “the betting-ring,” or the enclosure mentioned above to which holders of twenty-franc tickets are admitted, at Longchamps is scrupulously guarded by the stewards of the Jockey Club from the invasion of the demi-monde—­a term that I employ in the sense in which it is understood to-day, and not in that which it bore twenty years ago.  A woman of this demi-monde, which the younger Dumas has defined as that “community of married women of whom one never sees the husbands,” may enter the paddock if she appears upon the arm of a gentleman, but the really objectionable element is obliged to confine itself to the five-franc stands or to wander over the public lawns.  Some of the fashionable actresses of the day and the best-known belles-petites may be seen sunning themselves in their victorias or their “eight-springs” by the side of the track in front of the stands, but this is not from any interest that they feel in the performances of Zut or of Rayon d’Or, but simply because to make the “return from the races” it is necessary to have been to them, and every woman of any pretension to fashion, no matter what “world” she may belong to, must be seen in the gay procession that wends its way through the splendid avenue on the return from Longchamps.