Lepanto, Gulf of
Lerici
Leveson-Gower, Lady Charlotte (afterwards Countess of Surrey)
Levis, Due de
Lewis, Matthew Gregory, esq. 
‘Liberal,’ the
Liberty
Life
Likenesses
Lisbon
‘Lisbon packet’
Liston, Sir Robert
——­, John, comedian
Little’s Poems
Liverpool, Earl of
Livy
Lloyd, Charles, esq. 
Lobster nights, Pope’s and Lord Byron’s
Loch Leven
Locke, his treatise on education
  His contempt for Oxford
Lockhart, J.G., esq., his ‘Life of Burns’
  His marriage with Miss Scott
——­, Mrs.
Lodburgh, his ‘Death Song’
Lofft, Capel
Londo, Andrea, the Greek patriot
  Account of
  Lord Byron’s letter to
Londonderry (Robert Stewart), second Marquis of
Long, Edward Noel, esq., Lord Byron’s schoolfellow at Harrow
Long, Miss (afterwards Mrs. Long Pole Wellesley)
Longevity
Longmans, Messrs.
Love, ‘Not the principal passion for tragedy.’ 
  Success in, dependent on fortune
  Woman’s
Low spirits
Lowe, Sir Hudson
Lucretius
Luc, Jean Andre de
Ludlow, General, the regicide, his monument
  His domal inscription
Lushington, Dr., his letter to Lady Byron
Lutzerode, Baron
Luxembourg, Marechal
Lyttleton, George, Lord. 
  Lord Byron compared to
——­, Thomas, Lord

M.

Machinery, effects of
Mackenzie, Henry, esq., his notice of Lord Byron’s early poems
Mackintosh, Sir James, brightest of northern constellations
  his review of Rogers in the Edinburgh Review
  a rare instance of the union of very transcendent talent and great
      good nature
  his letter in the ’Morning Chronicle
  high expectation of his promised history
  strong impression made by him on Lord Byron
Macnamara, Arthur, esq. 
Mafra, the palace of, the boast of Portugal
Mahomet
Maid of Athens
  Account of
Maintenon, Madame
      letters
Malamocco, wall of
‘MANFRED; A DRAMATIC POEM,’ finished
  extracts sent to Mr. Murray
  offered to him for 300 guineas
  a sort of mad Drama; instructions for its title
  the third act to be re-written
  new third act sent to Mr. Murray
  a critique on; omission of a line
  critique of the ’Edinburgh Review
  a menaced version of the poem
  Goethe’s remarks on
Mansel, Dr., Bishop of Bristol
Manton gun, Lord Byron’s
‘Manuel,’ Mathurin’s
Marden, Mrs., actress
Marianna Segati
‘MARINO FALIERO, DOGE of VENICE; an Historical Tragedy.’  Intention to
      write the tragedy
  commenced
  advanced into the second act
  completed
  not intended for the stage
  Mr. Gifford’s opinion of it
  a note to be introduced
  the author’s talent ’especially undramatic
  a phrase to be altered
  the poem not popular
  lines to be introduced
  reported representation of the play and