‘Critic,’ Sheridan’s, ‘too good for a farce’
‘Critical Review’
Croker, Right Hon. John Wilson, his query concerning the title of the
‘Bride of Abydos’
His ‘guess’ as to the origin of ‘Beppo’
Lord Byron’s letter to
His ‘Boswell’ quoted
Crosby, Benjamin
Crowe, Rev, William, his criticism in ‘English Bards’
Curioni, Signor, singer
Curran, Right Hon. John Philpot, Lord Byron’s enthusiastic praise
‘Curse of Kebama’
‘CURSE OF MINERVA’
Curzon, Mr.
Cuvier, Baron
D.
Dallas, Robert Charles, commencement of his acquaintance
with Lord
Byron
Childe Harold first shown to him
Copywright of the Corsair presented to
him
His ingratitude
See also
Lord Byron’s letters to
Dalrymple, Sir Hew
D’Alton, John, esq., his ‘Dermid’
Dandies
Dante, his early passion for Beatrice
His infelicitous marriage
His poem celebrated long before his death
His popularity
His gentle feelings
Lord Byron’s resemblance to
See also
‘PROPHECY OF’
D’Arblay, Madame (Miss Burney), 1000 guineas
asked for one of her
novels
Her ‘Cecilia’
See also
Darnley, death of, a fine subject for a drama
‘DARKNESS’
Darwin, Dr. Erasmus, put down by the Anti-Jacobin
Davies, Scrope, esq.
Davy, Sir Humphry
Dawkins, Mr.
‘DEAR DOCTOR, I have read your play’
Death
Death
De Bath, Lord
Deformity, an incentive to distinction
D’Egville, John, the ballet-master
Delaval, Sir Francis Blake
Delawarr (George-John West), fifth Earl
Delia, poetical epistle from, to Lord Byron
Delladecima, Count
His opinion of Lord Byron’s conduct
in Greece
Delphi, fountain of
Demetrius
Denham, his ‘Cowper’s Hill’
Dent de Jument
Dervish Tahiri, Lord Byron’s faithful Arnaout
guide
‘Devil’s Drive,’ the
Devil’s Walk,’ Porson’s
Devonshire, Duchess of (Lady Elizabeth Foster), her
character of the
Roman government
‘Diary of an Invalid,’ Matthews’s
Dibdin, Thomas, play-wright
Dick, Mr.
Diderot, his definition of sensibility
Digestion
Dioclesian
Dionysius at Corinth
D’Israeli, J., esq. his ‘Essay on the
Literary Character’
His ‘Quarrels of Authors’
His remark on the effect of medicine upon
the mind and spirits
‘Distrest Mother,’ excellence of the epilogue
to
D’Ivernois, Sir Francis
Divorce
Dogs, fidelity of
-----, Lord Byron’s fondness for
His epitaph on ‘Boatswain’
Don, Brig of
Donegal, Lady
‘DON JUAN,’ a scene in it adapted from
the ’Narrative of the Shipwreck
of the Juno
Commencement of the poem
The 1st canto finished
50 copies to be printed privately
2nd canto
‘Nonsensical prudery’ against
it
Mr. Murray in a fright about it
The papers not so fierce as was anticipated