When we consider all these distractions that beset him, taking into account also the frequent derangement of his health, and the time and temper he must have thrown away on the minute drudgery of watching over every item of his household expenditure, the mind is lost in almost incredulous astonishment at the wonders he was able to achieve under such circumstances—­at the variety and prodigality of power with which, in the midst of such interruptions and hinderances, his “bright soul broke out on every side,” and not only held on its course, unclogged, through all these difficulties, but even extracted out of the very struggles and annoyances it encountered new nerve for its strength, and new fuel for its fire.

While thus at this period, more remarkably than at any other during his life, the unparalleled versatility of his genius was unfolding itself, those quick, cameleon-like changes of which his character, too, was capable were, during the same time, most vividly, and in strongest contrast, drawn out.  To the world, and more especially to England,—­the scene at once of his glories and his wrongs,—­he presented himself in no other aspect than that of a stern, haughty misanthrope, self-banished from the fellowship of men, and, most of all, from that of Englishmen.  The more genial and beautiful inspirations of his muse were, in this point of view, looked upon but as lucid intervals between the paroxysms of an inherent malignancy of nature; and even the laughing effusions of his wit and humour got credit for no other aim than that which Swift boasted of, as the end of all his own labours, “to vex the world rather than divert it.”

How totally all this differed from the Byron of the social hour, they who lived in familiar intercourse with him may be safely left to tell.  The sort of ferine reputation which he had acquired for himself abroad prevented numbers, of course, of his countrymen, whom he would have most cordially welcomed, from seeking his acquaintance.  But, as it was, no English gentleman ever approached him, with the common forms of introduction, that did not come away at once surprised and charmed by the kind courtesy and facility of his manners, the unpretending play of his conversation, and, on a nearer intercourse, the frank, youthful spirits, to the flow of which he gave way with such a zest, as even to deceive some of those who best knew him into the impression, that gaiety was after all the true bent of his disposition.

To these contrasts which he presented, as viewed publicly and privately, is to be added also the fact, that, while braving the world’s ban so boldly, and asserting man’s right to think for himself with a freedom and even daringness unequalled, the original shyness of his nature never ceased to hang about him; and while at a distance he was regarded as a sort of autocrat in intellect, revelling in all the confidence of his own great powers, a somewhat nearer observation enabled a common acquaintance at Venice[1] to detect, under all this, traces of that self-distrust and bashfulness which had marked him as a boy, and which never entirely forsook him through the whole of his career.