“Will messieurs and mesdames come within?” A matron speaks.  It is what we have been hoping, and we follow eagerly, escorted by the troupe.  Inside the door it is blackness.  We tread an earth-floor, and by sounds and scents infer that this is the stable.  We pass up some dark, uncertain stairs, and stand in the living-room of the family.  It is long, dark and low-ceiled.  The rafters are discolored with smoke, the board-floor with wear, the walls with strings and festoons of onions and native herbs.  Ears of maize and great sides of beef and pork hang drying from above.  In the dim rear are two pine bed-frames, with spreads of sackcloth and plaid canopies; nearer are sets of shelves lined with trenchers and earthen crockery in formal array, while a wood-fire smoulders on the wide hearth in front between the window-openings, fortified with a primitive crane and kettle of strange designs and unrecorded antiquity, and with various pots and pans.  Everything seems clean.  Our hostess, pleased at entertaining distinguished and appreciative visitors, draws out a wooden bench for us, and attempts to rouse the sleepy flames.

It is a significant, a typical scene.  These peasants of France, with their honest, unspiritualized faces, are showing their life,—­frugal and voiceless; bounded, but rarely pinched; in dusk, but seldom in dark; and with all, contentful, industrious, religious, and wishing no ill to any of mankind.  This hamlet and home is an over-accented instance; the lowland French peasants have more interchange, wider thoughts and interests, and many of them more prosperous abodes.  Yet the scene before us stands for thousands of meek cabins in solitary places scattered through France.  This exile-life of Goust tells its patient lesson, touching, and at the same time reassuring; and I am very certain that in all its limitations it is higher, as it is happier, than that of a poverty-soured mecontent of the Quartier Belleville in Paris.

[Illustration:  THE BELLES AND DAMES OF GOUST]

A younger woman of the family is now commissioned to produce their treasured adornments for inspection.  From an obscure adjoining room a small chest is brought out and placed upon the floor before us, and the eager girl, kneeling by it, proceeds to display the contents.  Carefully she takes out and unfolds a headdress of bright striped silk, to be passed admiringly around; and two or three other head-dresses follow, also of silk or of sharp-colored wools.  We ask when these are worn, and learn that they are chiefly hoarded for gala-days and saints’-days.  The large scarlet capulet comes next, and one of the women dons it to show the effect.  Then appear a scarf and two light shoulder-mufflers, made of the true Bareges wool, a specialty of the Pyrenees, soft and fascinatingly downy.  These are followed by a few neatly-rolled ribbons, brought over at different times from Spain, which are duly unstreamed; some silver pins and a chain, and a rosary; worsted mittens, and a pair of men’s white knee-stockings, similar to Caillou’s.  But the gem of the collection, reserved for the climax, is a brocaded silk shawl, a really handsome article and handled with great reverence.  The proud owner assures us that it is valued at seventy francs and has been handed down in the household for many years; and her listening neighbors, standing respectfully behind us, murmur their assent and admiration.