Esther’s face and to say for her many
Paternosters
and
Aves. At first he thought that he was
praying in a silence of nature; but presently the
awkwardness of his position began to affect his concentration,
and he found that he was saying the words mechanically,
listening the while to the voices of birds. He
compelled his attention to the prayers; but the birds
were too loud. The
Paternosters and the
Aves were absorbed in their singing and chirping
and twittering, so that Mark gave up to them and wished
for a rosary to help his feeble attention. Yet
could he have used a rosary without falling out of
the yew-tree? He took his hands from the bough
for a moment and nearly overbalanced.
Make not your
rosary of yew berries, he found himself saying.
Who wrote that?
Make not your rosary of yew berries.
Why, of course, it was Keats. It was the first
line of the
Ode to Melancholy. Esther
was still kneeling out there in the sunlight.
And how did the poem continue?
Make not your rosary
of yew berries. What was the second line?
It was ridiculous to sit astride a bough and say
Paternosters
and
Aves. He could not sit there much
longer. And then just as he was on the point of
letting go he saw that Esther had risen from her knees
and that Will Starling was standing in the doorway
of the chapel looking at her, not speaking but waiting
for her to speak, while he wound a strand of ivy round
his fingers and unwound it again, and wound it round
again until it broke and he was saying:
“I thought we agreed after your last display
here that you’d give this cursed chapel the
go by?”
“I can’t escape from it,” Esther
cried. “You don’t understand, Will,
what it means. You never have understood.”
“Dearest Essie, I understand only too well.
I’ve paid pretty handsomely in having to listen
to reproaches, in having to dry your tears and stop
your sighs with kisses. Your damned religion is
a joke. Can’t you grasp that? It’s
not my fault we can’t get married. If I
were really the scoundrel you torment yourself into
thinking I am, I would have married and taken the
risk of my strumpet of a wife turning up. But
I’ve treated you honestly, Essie. I can’t
help loving you. I went away once. I went
away again. And a third time I went just to relieve
your soul of the sin of loving me. But I’m
sick of suffering for the sake of a myth, a superstition.”
Esther had moved close to him, and now she put a hand
upon his arm.
“To you, Will. Not to me.”
“Look here, Essie,” said her lover.
“If you knew that you were liable to these dreadful
attacks of remorse and penitence, why did you ever
encourage me?”
“How dare you say I encouraged you?”
“Now don’t let your religion make you
dishonest,” he stabbed. “No man seduces
a woman of your character without as much goodwill
as deserves to be called encouragement, and by God
is encouragement,” he went on furiously.
“Let’s cut away some of the cant before
we begin arguing again about religion.”