GERVASE.  May I have one of my own?

MR. KNOWLE.  Do.

GERVASE (feeling for it).  If I can find it.  They were very careless about pockets in the old days.  I had a special one put in somewhere, only it’s rather difficult to get at. . . .  Ah, here it is. (He takes a cigarette from his case, and after trying to put the case back in his pocket again, places it on the table.)

MR. KNOWLE.  Match?

GERVASE.  Thanks. (Picking up his whiskey) Well, here’s luck, and—­my most grateful thanks.

MR. KNOWLE (raising his glass).  May you slay all your dragons.

GERVASE.  Thank you. (They drink.)

MR. KNOWLE.  Well, now about Collingham.  I don’t know if you saw a map outside in the hall.

GERVASE.  I saw it, but I am afraid I didn’t look at it.  I was too much interested in your prints.

MR. KNOWLE (eagerly).  You don’t say that you are interested in prints?

GERVASE.  Very much—­as an entire amateur.

MR. KNOWLE.  Most of the young men who come here think that the art began and ended with Kirchner.  If you are really interested, I have something in the library—­but of course I mustn’t take up your time now.  If you could bear to come over another day—­after all, we are neighbours——­

GERVASE.  It’s awfully nice of you; I should love it.

MR. KNOWLE.  Hedgling is the name of the village.  I mention it because you seem to have lost your way so completely——­

GERVASE.  Oh, by Jove, now I know where I am.  It’s so different in the moonlight.  I’m lunching this way to-morrow.  Might I come on afterwards?  And then I can return your petrol, thank you for your hospitality, and expose my complete ignorance of old prints, all in one afternoon.

MR. KNOWLE.  Well, but you must come anyhow.  Come to tea.

GERVASE.  That will be ripping. (Getting up) Well, I suppose I ought to be getting on. (He picks up his cloak.)

MR. KNOWLE.  We might just have a look at that map on the way.

GERVASE.  Oh yes, do let’s.

(They go to the door together, and stand for a moment looking at the casement windows.)

MR. KNOWLE.  It really is a wonderful night. (He switches off the lights, and the moon streams through the windows) Just look.

GERVASE (with a deep sigh).  Wonderful!

    [They go out together.

(The hall is empty for a moment.  Then GERVASE reappears.  He has forgotten his cigarette-case.  He finds it, and on his way out again stops for a moment in the moonlight, looking through the casement windows.)

(MELISANDE comes in by the French windows.  He hears her, and at the same moment she sees him.  She gives a little wondering cry.  It is He!  The knight of her dreams.  They stand gazing at each other. . . .  Silently he makes obeisance to her; silently she acknowledges it. . . .  Then he is gone.)

ACT II