Chug Scaritt and boys of his kind were left high and dry.  So, then, when Chug went out with a girl it was likely to be by way of someone’s kitchen; or with one of those who worked in the rag room at the paper and pulp mill.  They were the very girls who switched up and down in front of the garage evenings and Saturday afternoons.  Many of them had been farm girls in Michigan or northern Wisconsin or even Minnesota.  In Chippewa they did housework.  Big, robust girls they were, miraculously well dressed in good shoes and suits and hats.  They had bad teeth, for the most part, with a scum over them; over-fond of coffee; and were rather dull company.  But they were good-natured, and hearty, and generous.

The paper-mill girls were quite another type.  Theirs was a grayish pallor due to lungs dust-choked from work in the rag room.  That same pallor promised ill for future generations in Chippewa.  But they had a rather appealing, wistful fragility.  Their eyes generally looked too big for their faces.  They possessed, though, a certain vivacity and diablerie that the big, slower-witted Swede girls lacked.

When Chug felt the need of a dash of red in the evening he had little choice.  In the winter he often went up to Woodman’s Hall.  The dances at Woodman’s Hall were of the kind advertised at fifty cents a couple.  Extra lady, twenty-five cents.  Ladies without gents, thirty-five cents.  Bergstrom’s two-piece orchestra.  Chug usually went alone, but he escorted home one of the ladies-without-gents.  It was not that he begrudged the fifty cents.  Chug was free enough with his money.  He went to these dances on a last-minute impulse, almost against his will, and out of sheer boredom.  Once there he danced every dance and all the encores.  The girls fought for him.  Their manner of dancing was cheek to cheek, in wordless rhythm.  His arm about the ample waist of one of the Swedish girls, or clasping close the frail form of one of the mill hands, Chug would dance on and on, indefatigably, until the music played “Home Sweet Home.”  The conversation, if any, varied little.

“The music’s swell to-night,” from the girl.

“Yeh.”

“You’re some little dancer, Chug, I’ll say.  Honest, I could dance with you forever.”  This with a pressure of the girl’s arm, and spoken with a little accent, whether Swedish, Belgian, or Slavic.

“They all say that.”

“Crazy about yourself, ain’t you!”

“Not as crazy as I am about you,” with tardy gallantry.

He was very little stirred, really.

“Yeh, you are.  I wish you was.  It makes no never minds to you who you’re dancing with, s’long’s you’re dancing.”

This last came one evening as a variant in the usual formula.  It startled Chug a little, so that he held the girl off the better to look at her.  She was Wanda something-or-other, and anybody but Chug would have been alive to the fact that she had been stalking him for weeks with a stolid persistence.