Have Page and his Wife any loftier standpoint as to mercenary love than Falstaffe himself?  Is Fenton’s speech (V. v. 225-235) the moral of the last Act or is Ford’s (237-238)?

QUERIES FOR DISCUSSION

Is the main design of the Play to “cure Ford of his unreasonable jealousy,” as Rowe says, or to dupe and reform Falstaffe?  Is the total aim sport to laugh over “by a Countrie fire?” Is it a Comedy of irony turned against all mercenary motives in love?

AS YOU LIKE IT

I

THE DRAMATIC CONDUCT OF THE PLAY:  THE WRESTLING MATCH

How much of the situation existing in the play comes out in Act I. i.?  And what action takes place?

The strained relation existing between the brothers Orlando and Oliver is revealed through Orlando’s conversation with Adam and with his brother Oliver.  The situation at court is also revealed through the conversation of Oliver with the wrestler Charles, and also the loving relation existing between Celia and Rosalind; thus we are at once put into the possession of three emotional or passional causes for action—­Oliver’s hatred of his younger brother, the younger Duke’s hatred of his older brother, and the love of Celia for Rosalind.  Of these causes for action only one bears any fruit in this scene, namely, Oliver arranges with the wrestler to kill Orlando.  What are the connections existing between sc. ii. and sc. i.?  First there is a picture of the loving relationship existing between Rosalind and Celia (already mentioned by Oliver in sc. i.) which reveals very subtly differences in their natures.  The action set going by Oliver in sc. i. is consummated in the wrestling match, but with a result different from that hoped for by Oliver, thus leaving Oliver’s hatred still present as a cause of action.  Out of the wrestling match what further passional and emotional causes of action are set up?  Duke Frederick’s hatred for Orlando is aroused because he learns he is the son of a man he had considered his enemy, and action against him is the immediate result.  Orlando is warned by Le Beau that he is not safe at the court.  The Duke’s hatred of his brother bears further fruit in its extension to Rosalind.  The meeting of Rosalind and Orlando brought about by the wrestling match gives rise to a fresh emotional force in their budding love for each other.  In Sc. iii., the state of Rosalind’s heart as to Orlando, hinted at in sc. ii., is fully revealed; the Duke’s hatred takes shape in his sentence of banishment or death, giving rise to a new direction for action, and the emotion of Celia’s love for Rosalind bears fruit in her determination to go with Rosalind into banishment.

II

LIFE IN THE FOREST OF ARDEN

In Act II. how are the elements of action, character delineation and emotion intermingled?