The last remaining bit of toast and marmalade had vanished from his plate, and as he never allowed himself more than his usual number of slices, he carefully brushed the crumbs from his coat, and pushing back his chair, rose from the table. The movement, slight as it was, served to dispel his passing dejection, and as he gathered up his papers and passed into the adjoining sitting-room, he smiled at Wilkins with such genial brightness that the man was almost deluded into attributing the changed atmosphere to his own personal attentions instead of to the agreeable sensation following upon digestion. When he left the dining-room Kemper was already humming a little Italian air, and it was not until he was seated, with his cigar, in an easy chair upon his hearthrug, that he suddenly recognised the music as a favourite aria of Madame Alta’s. He had heard her sing it a hundred times, and he recalled now that she had a trick of throwing her head back as the notes issued from her round, white throat, until her beautiful, though coarsened face, was seen in an admirable foreshortening, while her eyes were shadowed by her drooping lids, which were faintly tinted to look like rose-leaves. With the memory his expression was again overcast. Then a pleased smile chased the heaviness from his eyes, for he remembered suddenly that he held a firm grip on the promising Chericoke Valley Central stock. He lighted his cigar, tossed the match into the empty fireplace, and pushing the papers from his knees, relapsed for twenty minutes into an agreeable vacancy of mind.
The room in which he sat was essentially a man’s room, furnished for comfort rather than for beauty, and one saw in it an unconscious striving after large effects, a disdain of useless bric-a-brac as of small decorations. On the mantel the solitary ornament was an exquisite bronze figure of a wrestler at the triumphant instant when he subdues his opponent, a spirited and virile study of the nude male figure, and just above it hung a portrait in oils of Madame