IN WHICH THE ROMANTIC HERO IS CONSPICUOUS BY HIS ABSENCE
As the light fell on her face Gerty Bridewell awoke, stifled a yawn with her pillow, and remembered that she had been very unhappy when she went to bed. That was only six hours ago, and yet she felt now that her unhappiness and the object of it, which was her husband, were of less disturbing importance to her than the fact that she must get up and stand for three minutes under the shower bath in her dressing-room. With a sigh she pressed the pillow more firmly under her cheek, and lay looking a little wistfully at her maid, who, having drawn back the curtains at the window, stood now regarding her with the discreet and confidential smile which drew from her a protesting frown of irritation.
“Well, I can’t get up until I’ve had my coffee,” she said in a voice which produced an effect of mournful brightness rather than of anger, “I haven’t the strength to put so much as my foot out of bed.”
Her eyes followed the woman across the room and through the door, and then, turning instinctively to the broad mirror above her dressing table, hung critically upon the brilliant red and white reflection in the glass. It was her comforting assurance that every woman looked her best in bed; and as she lay now, following the lines of her charming figure beneath the satin coverlet, she found herself wondering, not without resentment, why the possession of a beauty so conspicuous should afford her only a slight and temporary satisfaction. Last week a woman whom she knew had had her nose broken in an automobile accident, and as she remembered this it seemed to her that the mere fact of her undisfigured features was sufficient to be the cause of joyful gratitude. But this, she knew, was not so, for her face was perfectly unharmed; and yet she felt that she could hardly have been more miserable, even with a broken nose.
Here she paused for an instant in order to establish herself securely in her argument, for, though she could by no stretch of the imagination regard her mind as of a meditative cast, there are hours when even to the most flippant experience wears the borrowed mantle of philosophy. Abstract theories of conduct diverted her but little; what she wanted was some practical explanation of the mental weariness she felt. What she wanted, she repeated, as if to drive in the matter with a final blow, was to be as happy in the actual condition as she had told herself that she might be when as yet the actual was only the ideal. Why, for instance, when she had been wretched with but one man on the box, should the addition of a second livery fail to produce in her the contentment of which she had often dreamed while she disconsolately regarded a single pair of shoulders? That happiness did not masquerade in livery she had learned since she had triumphantly married the richest man she knew, and the admission of this brought her almost with a