It was inevitable that the “mythological school” should regard Cuchulainn as a solar hero.  Thus “he reaches his full development at an unusually early age,” as the sun does,[468] but also as do many other heroes of saga and Maerchen who are not solar.  The three colours of Cuchulainn’s hair, dark near the skin, red in the middle, golden near the top, are claimed to be a description of the sun’s rays, or of the three parts into which the Celts divided the day.[469] Elsewhere his tresses are yellow, like Prince Charlie’s in fact and in song, yet he was not a solar hero.  Again, the seven pupils of his eyes perhaps “referred to the days of the week."[470] Blindness befell all women who loved him, a reference to the difficulty of gazing at the sun.[471] This is prosaic!  The blindness was a compliment paid to Cuchulainn the blind, by women who made themselves blind while talking to him, just as Conall Cernach’s mistresses squinted as he did.[472] Cuchulainn’s blindness arose from his habit of sinking one eye into his head and protruding the other—­a well-known solar trait!  His “distortion,” during which, besides this “blindness,” blood shot upwards from his head and formed a magic mist, and his anger caused showers of sparks to mount above him, points to dawn or sunset,[473] though the setting sun would rather suggest a hero sinking calmly to rest than a mad giant setting out to slaughter friend and foe.  The “distortion,” as already pointed out, is the exaggerated description of the mad warrior rage, just as the fear which produced death to those who saw him brandish his weapons, was also produced by Maori warrior methods.[474] Lug, who may be a sun-god, has no such “distortion.”  The cooling of the hero in three vats, the waters of which boil over, and his emergence from them pinky red in colour, symbolise the sun sinking into the waters and reappearing at dawn.[475] Might it not describe in an exaggerated way the refreshing bath taken by frenzied warriors, the water being supposed to grow warm from the heat of their bodies?[476] One of the hero’s geasa was not to see Manannan’s horses, the waves; which, being interpreted, means that the sun is near its death as it approaches the sea.  Yet Lug, a sun-god, rides the steed Enbarr, a personification of the waves, while Cuchulainn himself often crossed the sea, and also lived with the sea-god’s wife, Fand, without coming to grief.  Again, the magic horses which he drives, black and grey in colour, are “symbols of day and night,"[477] though it is not obvious why a grey horse should symbolise day, which is not always grey even in the isles of the west.  Unlike a solar hero, too, Cuchulainn is most active in winter, and rests for a brief space from slaughtering at midday—­the time of the sun’s greatest activity both in summer and winter.