ages, was made to recite the building of the tower
of Babel, or the virtues of Abraham, and again to
prophesy the day when the heathen nations should be
wiped out, and the God of Israel be the God of all
the world. Although the fabrication of oracles
is not entirely defensible, it is unnecessary to see,
with Schuerer, in these writings a low moral standard
among the Egyptian Jews. They were not meant
to suggest, to the cultured at any rate, that the Sibyl
in one case or Heraclitus in another had really written
the words ascribed to them. The so-called forgery
was a literary device of a like nature with the dialogues
of Plato or the political fantasies of More and Swift.
By the striking nature of their utterances the writers
hoped to catch the ear of the Gentile world for the
saving doctrine which they taught. The form is
Greek, but the spirit is Hebraic; in the third Sibylline
oracle, particularly, the call to monotheism and the
denunciation of idolatry, with the pictures of the
Divine reward for the righteous, and of the Divine
judgment for the ungodly, remind us of the prophecies
of Isaiah and Jeremiah; as when the poet says,[25]
“Witless mortals, who cling to an image that
ye have fashioned to be your god, why do ye vainly
go astray, and march along a path which is not straight?
Why remember ye not the eternal founder of All?
One only God there is who ruleth alone.”
And again: “The children of Israel shall
mark out the path of life to all mortals, for they
are the interpreters of God, exalted by Him, and bearing
a great joy to all mankind."[26] The consciousness
of the Jewish mission is the dominant note. Masters
now of Greek culture, the Jews believed that they had
a philosophy of their own, which it was their privilege
to teach to the Greeks; their conception of God and
the government of the world was truer than any other;
their conception of man’s duty more righteous;
even their conception of the state more ideal.
The apocryphal book, the Wisdom of Solomon, which
was probably written at Alexandria during the first
century B.C.E., is marked by the same spirit.
There again we meet with the glorification of the one
true God of Israel, and the denunciation of pagan
idolatry; and while the author writes in Greek and
shows the influence of Greek ideas, he makes the Psalms
and the Proverbs his models of literary form.
“Love righteousness,” he begins, “ye
that be judges of the earth; think ye of the Lord
with a good mind and in singleness of heart seek ye
Him.” His appeal for godliness is addressed
to the Gentile world in a language which they understood,
but in a spirit to which most of them were strangers.
The early history of the Israelites in Egypt comes
home to him with especial force, for he sees it “in
the light of eternity,” a striking moral lesson
for the godless Egyptian world around him in which
the house of Jacob dwelt again. With poetical
imagination he tells anew the story of the ten plagues
as though he had lived through them, and seen with
his own eyes the punishment of the idolatrous land.
He ends with a paean to the God who had saved His
people. “For in all things Thou didst magnify
them, and Thou didst glorify them, and not lightly
regard them, standing by their side in every time
and place.”