The Private Papers of Henry Ryecroft eBook

This eBook from the Gutenberg Project consists of approximately 221 pages of information about The Private Papers of Henry Ryecroft.

The Private Papers of Henry Ryecroft eBook

This eBook from the Gutenberg Project consists of approximately 221 pages of information about The Private Papers of Henry Ryecroft.

I have some magnificent carrots this year—­straight, clean, tapering, the colour a joy to look upon.

XXV.

For two things do my thoughts turn now and then to London.  I should like to hear the long note of a master’s violin, or the faultless cadence of an exquisite voice, and I should like to see pictures.  Music and painting have always meant much to me; here I can enjoy them only in memory.

Of course there is the discomfort of concert-hall and exhibition-rooms.  My pleasure in the finest music would be greatly spoilt by having to sit amid a crowd, with some idiot audible on right hand or left, and the show of pictures would give me a headache in the first quarter of an hour. Non sum qualis eram when I waited several hours at the gallery door to hear Patti, and knew not a moment’s fatigue to the end of the concert; or when, at the Academy, I was astonished to find that it was four o’clock, and I had forgotten food since breakfast.  The truth is, I do not much enjoy anything nowadays which I cannot enjoy alone.  It sounds morose; I imagine the comment of good people if they overheard such a confession.  Ought I, in truth, to be ashamed of it?

I always read the newspaper articles on exhibitions of pictures, and with most pleasure when the pictures are landscapes.  The mere names of paintings often gladden me for a whole day—­those names which bring before the mind a bit of seashore, a riverside, a glimpse of moorland or of woods.  However feeble his criticism, the journalist generally writes with appreciation of these subjects; his descriptions carry me away to all sorts of places which I shall never see again with the bodily eye, and I thank him for his unconscious magic.  Much better this, after all, than really going to London and seeing the pictures themselves.  They would not disappoint me; I love and honour even the least of English landscape painters; but I should try to see too many at once, and fall back into my old mood of tired grumbling at the conditions of modern life.  For a year or two I have grumbled little—­all the better for me.

XXVI.

Of late, I have been wishing for music.  An odd chance gratified my desire.

I had to go into Exeter yesterday.  I got there about sunset, transacted my business, and turned to walk home again through the warm twilight.  In Southernhay, as I was passing a house of which the ground-floor windows stood open, there sounded the notes of a piano—­chords touched by a skilful hand.  I checked my step, hoping, and in a minute or two the musician began to play that nocturne of Chopin which I love best—­I don’t know how to name it.  My heart leapt.  There I stood in the thickening dusk, the glorious sounds floating about me; and I trembled with very ecstasy of enjoyment.  When silence came, I waited in the hope of another piece, but nothing followed, and so I went my way.

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The Private Papers of Henry Ryecroft from Project Gutenberg. Public domain.