I pass by with a mere note of recognition the two dragons, the one on the Chinese, the other on the Welsh flag; just saying that national symbols are not chose haphazard, but are an expression of inner things; and proceed to give you the dates of all the important events in Chinese and Celtic, chiefly Welsh, history during the last two thousand years.  In 1911 the Chinese threw off the Manchu yoke and established a native republic.  In 1910 the British Government first recognized Wales as a separate nationality, when the heir to the throne was invested as Prince of Wales at Carnarvon.  Within a few years a bill was passed giving Home Rule to Ireland; and national parliaments at Dublin and at Cardiff are said to be among the likelihoods of the near future.  The eighteenth century, for manvantara, was a singularly dead time in Europe; but in China, for pralaya, it was a singularly living time, being filled with the glorious reigns of the Manchu emperors Kanghu and Kien Lung.  In Wales it saw the religious revival which put a stop to the utter Anglicization of the country, saved the language from rapid extinction, and awakened for the first time for centuries a sort of national consciousness.  Going back, the first great emperor we come to in China before the Manchu conquest, was Ming Yunglo, conqueror of half Asia.  His contemporary in Wales was Owen Glyndwr, who succeeded in holding the country against the English for a number of years; there had been no Welsh history between Glyndwr and the religious revival.  In 1260 or thereabouts the Mongols completed the conquest of China, and dealt her then flourishing civilization a blow from which it never really recovered.  About twenty years later the English completed the conquest of Wales, and dealt her highly promising literary culture a blow from which it is only now perhaps beginning to recover.  In the eleventh, twelfth, and thirteenth centuries the great Sung artists of China were painting infinity or their square feet of silk:  painting Natural Magic as it has never been painted or revealed since.  In those same centuries the Welsh bards were writing the Natural Magic of the Mabinogion, one of the chief European repositories of Natural Magic; and filling a remarkable poetical literature with the same quality:—­and that before the rest of Europe had, for the most part, awakened to the spiritual impulses that lead to civilization.  In the seventh and eighth centuries, when continental Europe was in the dead vast and middle of pralaya, Chinese poetry, under Tang Hsuan-tsong and his great predecessors, was in its Golden Age—­a Golden Age comparable to that of Pericles in Athens.  In the seventh and eighth centuries, Ireland was sending out scholars and thinkers as missionaries to all parts of benighted Europe:  Ireland in her golden age, the one highly cultured country in Christendom, was producing a glorious prose and poetry in the many universities that starred that then by no means distressful island.  In 420, China, after a couple of centuries of anarchy, began to re-establish her civilization on the banks of the Yangtse.  In 410, the Britons finally threw off the Roman yoke, and the first age of Welsh poetry, the epoch of Arthur and Taliesin, which has been the light of romantic Europe ever since, began.