This Tao, you say, something far off,—a principle in philosophy or a metaphysical idea,—may be very nice to discuss in a lecture or write poetry about; but dear me! between whiles we have a great deal to do, and really—But no! it is actually, as Mohammed said, “nearer to thee than thy jugular vein.” It is a simple adjustment of oneself to the Universe,—of which, after all, one cannot escape being a part; it is the attainment of a true relationship to the whole. What obscures and hinders that, is simply our human brain-mind consciousness. “Consider the lilies of the field,” that attain a perfection of beauty. The thing that moves us, or ought to move us, in flowers, trees, seas and mountains, is this: that lacking this fretting, gnawing sense of I-am-ness, their emanations are pure Tao, and may reach us along the channel we call beauty: may flood our being through “the gateway of the eyes.” Beauty is Tao made visible. The rose and peony do not feel themselves ‘I,’ distinct from ‘you’ and the rest; they are in opposition to nothing; they do not fall in love, and have no aversions: they simply worship Heaven and are unanxious, and so beautiful. When we know this, we see what beauty means; and that it is not something we can afford to ignore and treat with stoic indifference or puritan dislike. It is Tao visible; I call every flower an avatar of God. Now you see how Taoism leads to poetry; is the philosophy of poetry; is indeed Poetics, rather than Metephysics. Think of all the little jewels you know in Keats, in Shelley, or Wordsworth: the moments when the mists between those men and the divine “defecated to a thin transparency";—those were precisely the moments when the poets lost sight of their I-am-ness and entered into true relations with the Universe. A daffodil, every second of its life, holds within itself all the real things poets have ever said, or will ever say, about it; and can reach our souls directly with edicts from the Dragon Throne of the Eternal.—I watched the linarias yesterday, and their purple delicacy assured me that all the filth, all the falsehood and tragedy of the world, should pass and be blown away; that the garden was full of dancing fairies, joy moving them to their dancing; that it was my own fault if I could not see Apollo leaning down out of the Sun; and my own fatuity, and that alone, if I could not hear the Stars of Morning singing together, and all the sons of God shouting for you. And it was the truth they were telling; the plain, bald, naked truth;—they have never learned to lie, and do not know what it means. There is no sentimentalism in this; only science. We live in a Universe absolutely soaked through with God,—or with Poetry, which is perhaps a better name for It; a Universe peopled thick with Gods. But it is all very far from our common thoughts and conceptions; that is why it sounds to most people like sentimental nonsense and ‘poetry.’ No wonder Plato hated that word;—since it is made a hand-grenade, in the popular mind, to fling at every truth. And yet Poetry ’gets in on us,’ too, occasionally, and accomplishes for