I had intended to begin with Greece; but these unexplored eras of old Europe are too attractive, and this first lecture must go to them, or some of them. Not to the antecedents of Greece, in Crete and elsewhere; but to the undiscovered North; and in particular to the Celtic peoples; who may serve us as an example by means of which light may be thrown on the question of racial growth, and on the racial cycles generally.
The Celtic Empire of old Europe affects us like some mysterious undiscovered planet. We know it was there by its effects on other peoples. Also, like many other forgotten histories, it has left indications of its achievement in a certain spirit, an uplift, the breath of an old traditional grandeur that has come down. But to give any historical account of it—to get a telescope that will reach and reveal it—we have not to come to that point yet.
Still, it may be allowed us to experiment with all sorts of glasses. To penetrate that gloom of ancient Europe may be quite beyond us; but guessing is permitted. Now the true art of guessing lies in an intuition for guiding indications. There is something in us that knows things directly; and it may deign at times to give hints, to direct the researches, to flash some little light on that part of us which works and is conscious in this world, and which we call our brain-minds. So although most or all of what I am going to say would be called by the scientific strictly empirical, fantastic and foolish, yet I shall venture; aware that their Aristotelio-Baconian method quite breaks down when it comes to such a search into the unknown; and that this guessing, guided by what seems to be a law, would not, perhaps, have been sneered at by Plato.
Guided by what seems to be a law;—guided, at any rate, by the knowledge that there are laws; that “God geometrizes,” as Plato says: that which is within flows outward upon a design; that life precipitates itself through human affairs as it does through the forms of the crystals; that there is nothing more haphazard about the sequence of empires and civilizations, than there is about the unfolding of petals of a flower. In both cases it is the eternal rhythm, the Poetry of the Infinite, that manifests; our business is to listen so carefully as to hear, and apprehend the fact that what we hear is a poetry, a vast music, not a chaotic cacophony: catch the rhythms—perceive that there is a design—even if it takes us long to discover what the design may be.