And here, Pyrophilus, since we are treating of Emphatical Colours, we shall add what we think not unworthy your Observation, and not unfit to afford some Exercise to the Speculative.  For there are some Liquors, which though Colourless themselves, when they come to be Elevated, and Dispers’d into Exhalations, exhibit a conspicuous Colour, which they lose again, when they come to be Reconjoyn’d into a Liquor, as good Spirit of Nitre; or upon its account strong Aqua-fortis, though devoid of all appearance of Redness whilst they continue in the form of a Liquor, if a little Heat chance to turn the Minute parts of them into Vapour, the Steam will appear of a Reddish or deep Yellow Colour, which will Vanish when those Exhalations come to resume the form of Liquor.

And not only if you look upon a Glass half full of Aqua-fortis, or Spirit of Nitre, and half full of Nitrous steams proceeding from it, you will see the Upper part of the Glass of the Colour freshly mention’d, if through it you look upon the Light.  But which is much more considerable, I have tried, that putting Aqua-fortis in a long clear Glass, and adding a little Copper or some such open Metall to it, to excite Heat and Fumes, the Light trajected through those Fumes, and cast upon a sheet of White Paper, did upon that appear of the Colour that the Fumes did, when directly Look’d upon, as if the Light were as well Ting’d in its passage through these Fumes, as it would have been by passing through some Glass or Liquor in which the same Colour was Inherent.

To which I shall further add, that having sometimes had the Curiosity to observe whether the Beams of the Sun near the Horizon trajected through a very Red Sky, would not (though such rednesses are taken to be but Emphatical Colours) exhibit the like Colour, I found that the Beams falling within a Room upon a very White Object, plac’d directly opposite to the Sun, disclos’d a manifest Redness, as if they had pass’d through a Colour’d Medium.

EXPERIMENT XVII.

The emergency, Pyrophilus, of Colours upon the Coalition of the Particles of such Bodies as were neither of them of the Colour of that Mixture whereof they are the Ingredients, is very well worth our attentive Observation, as being of good use both Speculative and Practical; For much of the Mechanical use of Colours among Painters and Dyers, doth depend upon the Knowledge of what Colours may be produc’d by the Mixtures of Pigments so and so Colour’d.  And (as we lately intimated) ’tis of advantage to the contemplative Naturalist, to know how many and which Colours are Primitive (if I may so call them) and Simple, because it both eases his Labour by confining his most sollicitous Enquiry to a small Number of Colours upon which the rest depend, and assists him to judge of the nature of particular compounded Colours, by shewing him from the Mixture of what more Simple ones,