Experiments and Considerations Touching Colours (1664) eBook

This eBook from the Gutenberg Project consists of approximately 260 pages of information about Experiments and Considerations Touching Colours (1664).

Experiments and Considerations Touching Colours (1664) eBook

This eBook from the Gutenberg Project consists of approximately 260 pages of information about Experiments and Considerations Touching Colours (1664).
the mixture did turn Black, and when into this mixture presently after it was made, we shook a just Proportion of Aqua Fortis, we turn’d it from a Black Ink to a deep Red one, which by the affusion of a little Spirit of Urine may be reduc’d immediately to an Opacous and Blackish Colour.  And in regard, Pyrophilus, that in the former Experiments, both the Infusion of Galls, and the Decoction of Roses, and the Solution of Copperis employ’d about them, are endow’d each of them with its own Colour, there may be a more noble Experiment of the sudden production of Blackness made by the way mention’d in the Second Section of the Second Part of our Essays, for though upon the Confusion of the two Liquors there mention’d, there do immediately emerge a very Black mixture, yet both the Infusion of Orpiment and the Solution of Minium were before their being joyn’d together, Limpid and Colourless.

EXPERIMENT III.

If pieces of White Harts-horn be with a competent degree of Fire distill’d in a Glass-retort, they will, after the avolation of the Flegm, Spirit, Volatile Salt, and the looser and lighter parts of the Oleagenous substance, remain behind of a Cole-black colour.  And even Ivory it self being skilfully Burnt (how I am wont to do it, I have elsewhere set down) affords Painters one of the best and deepest Blacks they have, and yet in the Instance of distill’d Harts-horn, the operation being made in Glass-vessels carefully clos’d, it appears there is no Extraneous Black substance that Insinuates it self into White Harts-horn, and thereby makes it turn Black; but that the Whiteness is destroy’d, and the Blackness generated, only by a Change of Texture, made in the burnt Body, by the Recess of some parts and the Transposition of others.  And though I remember not that in many Distillations of Harts-horn I ever sound the Cap.  Mort. to pass from Black to a true Whiteness, whilst it continu’d in Clos’d vessels, yet having taken out the Cole-black fragments, and Calcin’d them in Open vessels, I could in few hours quite destroy that Blackness, & without sensibly changing their Bulk or Figure, reduce them to great Whiteness.  So much do these two Colours depend upon the Disposition of the little parts, that the Bodies wherein they are to be met with do consist of.  And we find, that if Whitewine Tartar, or even the white Crystalls of such Tartar be burnt without being truly Calcin’d, the Cap.  Mortuum (as the Chymists call the more Fixt part) will be Black.  But if you further continue the Calcination till you have perfectly Incinerated the Tartar, & kept it long enough in a Strong fire, the remaining Calx will be White.  And so we see that not only other Vegetable substances, but even White woods, as the Hazel, will yield a Black Charcoal, and afterwards Whitish ashes; And so Animal substances naturally White, as Bones and Eggshels, will grow Black upon the being Burnt, and White again when they are perfectly Calcin’d.

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Experiments and Considerations Touching Colours (1664) from Project Gutenberg. Public domain.