Experiments and Considerations Touching Colours (1664) eBook

This eBook from the Gutenberg Project consists of approximately 260 pages of information about Experiments and Considerations Touching Colours (1664).

Experiments and Considerations Touching Colours (1664) eBook

This eBook from the Gutenberg Project consists of approximately 260 pages of information about Experiments and Considerations Touching Colours (1664).

5.  And on this Occasion we may as well in Reference to something formerly deliver’d concerning Whiteness, as in Reference to what has been newly said, Subjoyn what we further observ’d touching the Differing Reflections of Light from White and Black Marble, namely, that having taking a pretty Large Mortar of White Marble, New and Polish’d in the Inside, and Expos’d it to the Sun, we found that it Reflected a great deal of Glaring Light, but so Dispers’d, that we could not make the Reflected Beams concurr in any such Conspicuous Focus, as that newly taken notice of in the Black Marble, though perhaps there may enough of them be made to meet near the Bottom, to make some Kind of Focus, especially since by holding in the Night-time a Candle at a convenient Distance, we were able to procure a Concourse of some, though not many of the Reflected Beams, at about two Inches distant from the Bottom of the Mortar:  But we found the Heat even of the Sunbeams so Dispersedly Reflected to be very Languid, even in Comparison of the Black Marbles Focus.  And the Little Picture of the Sun, that appear’d upon the White Marble as a Speculum, was but very Faint and exceeding ill Defin’d.  Secondly, That taking two pieces of Plain and Polish’d Surfaces, and casting on them Successively the Beams of the Same Candle, In such manner, as that the Neighbouring Superficies being Shaded by an Opacous and Perforated Body, the Incident Beams were permitted to pass but through a Round Hole of about Half an Inch Diameter, the Circle of Light that appear’d on the White Marble was in Comparison very Bright, but very ill Defin’d; whereas that on the Black Marble was far less Luminous, but much more precisely Defin’d.

6.  Thirdly, When you Look upon a piece of Linnen that has Small Holes in it, those Holes appear very Black, and Men are often deceiv’d in taking Holes for Spots of Ink; And Painters to represent Holes, make use of Black, the Reason of which seems to be, that the Beams that fall on those Holes, fall into them So Deep, that none of them is Reflected back to the Eye.  And in narrow Wells part of the Mouth seems Black, because the Incident Beams are Reflected Downwards from one side to another, till they can no more Rebound to the Eye.

We may consider too, that if Differing parts of the same piece of Black Velvet be stroak’d Opposite ways, the piece of Velvet will appear of two Distinct kinds of Blackness, the one far Darker than the other, of which Disparity the Reason Seems to be, that in the Less obscure part of the Velvet, the Little Silken Piles whereof ’tis made up, being Inclin’d, there is a Greater part of each of them Obverted to the Eye, whereas in the other part the Piles of Silk being more Erected, there are far Fewer Beams Reflected Outwards from the Lateral parts of each Pile, So that most of those that Rebound to the Eye, come from the Tops of the Piles, which make but a small part of the whole Superficies, that may be cover’d by

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Experiments and Considerations Touching Colours (1664) from Project Gutenberg. Public domain.