Rosamond and Mary had been talking faster than their male friends. They did not think of sitting down, but stood at the toilet-table near the window while Rosamond took off her hat, adjusted her veil, and applied little touches of her finger-tips to her hair—hair of infantine fairness, neither flaxen nor yellow. Mary Garth seemed all the plainer standing at an angle between the two nymphs—the one in the glass, and the one out of it, who looked at each other with eyes of heavenly blue, deep enough to hold the most exquisite meanings an ingenious beholder could put into them, and deep enough to hide the meanings of the owner if these should happen to be less exquisite. Only a few children in Middlemarch looked blond by the side of Rosamond, and the slim figure displayed by her riding-habit had delicate undulations. In fact, most men in Middlemarch, except her brothers, held that Miss Vincy was the best girl in the world, and some called her an angel. Mary Garth, on the contrary, had the aspect of an ordinary sinner: she was brown; her curly dark hair was rough and stubborn; her stature was low; and it would not be true to declare, in satisfactory antithesis, that she had all the virtues. Plainness has its peculiar temptations and vices quite as much as beauty; it is apt either to feign amiability, or, not feigning it, to show all the repulsiveness of discontent: at any rate, to be called an ugly thing in contrast with that lovely creature your companion, is apt to produce some effect beyond a sense of fine veracity and fitness in the phrase. At the age of two-and-twenty Mary had certainly not attained that perfect good sense and good principle which are usually recommended to the less fortunate girl, as if they were to be obtained in quantities ready mixed, with a flavor of resignation as required. Her shrewdness had a streak of satiric bitterness continually renewed and never carried utterly out of sight, except by a strong current of gratitude towards those who, instead of telling her that she ought to be contented, did something to make her so. Advancing womanhood had tempered her plainness, which was of a good human sort, such as the mothers of our race have very commonly worn in all latitudes under a more or less becoming headgear. Rembrandt would have painted her with pleasure, and would have made her broad features look out of the canvas with intelligent honesty. For honesty, truth-telling fairness, was Mary’s reigning virtue: she neither tried to create illusions, nor indulged in them for her own behoof, and when she was in a good mood she had humor enough in her to laugh at herself. When she and Rosamond happened both to be reflected in the glass, she said, laughingly—
“What a brown patch I am by the side of you, Rosy! You are the most unbecoming companion.”
“Oh no! No one thinks of your appearance, you are so sensible and useful, Mary. Beauty is of very little consequence in reality,” said Rosamond, turning her head towards Mary, but with eyes swerving towards the new view of her neck in the glass.