Dorothea had been aware when Lydgate had ridden away, and she had stepped into the garden, with the impulse to go at once to her husband. But she hesitated, fearing to offend him by obtruding herself; for her ardor, continually repulsed, served, with her intense memory, to heighten her dread, as thwarted energy subsides into a shudder; and she wandered slowly round the nearer clumps of trees until she saw him advancing. Then she went towards him, and might have represented a heaven-sent angel coming with a promise that the short hours remaining should yet be filled with that faithful love which clings the closer to a comprehended grief. His glance in reply to hers was so chill that she felt her timidity increased; yet she turned and passed her hand through his arm.
Mr. Casaubon kept his hands behind him and allowed her pliant arm to cling with difficulty against his rigid arm.
There was something horrible to Dorothea in the sensation which this unresponsive hardness inflicted on her. That is a strong word, but not too strong: it is in these acts called trivialities that the seeds of joy are forever wasted, until men and women look round with haggard faces at the devastation their own waste has made, and say, the earth bears no harvest of sweetness—calling their denial knowledge. You may ask why, in the name of manliness, Mr. Casaubon should have behaved in that way. Consider that his was a mind which shrank from pity: have you ever watched in such a mind the effect of a suspicion that what is pressing it as a grief may be really a source of contentment, either actual or future, to the being who already offends by pitying? Besides, he knew little of Dorothea’s sensations, and had not reflected that on such an occasion as the present they were comparable in strength to his own sensibilities about Carp’s criticisms.