This distinction conferred on the Rector of Tipton and Freshitt was the reason why Mrs. Cadwallader made one of the group that watched old Featherstone’s funeral from an upper window of the manor. She was not fond of visiting that house, but she liked, as she said, to see collections of strange animals such as there would be at this funeral; and she had persuaded Sir James and the young Lady Chettam to drive the Rector and herself to Lowick in order that the visit might be altogether pleasant.
“I will go anywhere with you, Mrs. Cadwallader,” Celia had said; “but I don’t like funerals.”
“Oh, my dear, when you have a clergyman in your family you must accommodate your tastes: I did that very early. When I married Humphrey I made up my mind to like sermons, and I set out by liking the end very much. That soon spread to the middle and the beginning, because I couldn’t have the end without them.”
“No, to be sure not,” said the Dowager Lady Chettam, with stately emphasis.
The upper window from which the funeral could be well seen was in the room occupied by Mr. Casaubon when he had been forbidden to work; but he had resumed nearly his habitual style of life now in spite of warnings and prescriptions, and after politely welcoming Mrs. Cadwallader had slipped again into the library to chew a cud of erudite mistake about Cush and Mizraim.
But for her visitors Dorothea too might have been shut up in the library, and would not have witnessed this scene of old Featherstone’s funeral, which, aloof as it seemed to be from the tenor of her life, always afterwards came back to her at the touch of certain sensitive points in memory, just as the vision of St. Peter’s at Rome was inwoven with moods of despondency. Scenes which make vital changes in our neighbors’ lot are but the background of our own, yet, like a particular aspect of the fields and trees, they become associated for us with the epochs of our own history, and make a part of that unity which lies in the selection of our keenest consciousness.