Or, let one compare, with the preparation by the ten fingers, 85. 7: “Ten fingers rub clean (prepare) the steed in the vessels; uprise the songs of the priests. The intoxicating drops, as they purify themselves, meet the song of praise and enter Indra.” Exactly the same images as are found above may be noted in IX. 87, where not the moon, but the plant, is conspicuously the subject of the hymn: “Run into the pail, purified by men go unto booty. They lead thee like a swift horse with reins to the sacrificial straw, preparing (or rubbing) thee. With good weapons shines the divine (shining) drop (Indu), slaying evil-doers, guarding the assembly; the father of the gods, the clever begetter, the support of the sky, the holder of earth.... This one, the soma (plant) on being pressed out, ran swiftly into the purifier like a stream let out, sharpening his two sharp horns like a buffalo; like a true hero hunting for cows; he is come from the highest press-stone,” etc. It is the noise of soma dropping that is compared with ‘roaring.’ The strength given by (him) the drink, makes him appear as the ‘virile one,’ of which force is the activity, and the bull the type. Given, therefore, the image of the bull, the rest follows easily to elaborate the metaphor. If one add that soma is luminous (yellow), and that all luminous divinities are ’horned bulls[23],’ then it will be unnecessary to see the crescent moon in soma. Moreover, if soma be the same with Brihaspati, as thinks Hillebrandt, why are there three horns in V. 43. 13?